Abstract
In the present article I discuss the remarkable fact that many of the motifs to be found in Seneca’s tragedies – such as a horrible death, a madman, an obsession or some supernatural agent – are also to be found in abundance in the work of “Gothic” authors such as Ann Radcliffe and Edgar Allan Poe. Indeed, these motifs are now commonly considered to be the hallmark of the Gothic genre. I also analyse some of the techniques which Seneca uses in order to arouse fear and stimulate the reader’s imagination, comparing them with those used by Poe and other Gothic writers.
References
I. Critical editions, translations and commentaries:
L. Annaei Senecae Tragoediae, Zwierlein, O. (ed.), Berlin 1986.
The Portable Edgar Allan Poe, van Doren Stern, P. (ed.), New York 1964.
Tarrant 1998: Seneca’s „Thyestes.” Ed. by R. J. Tarrant, (edition with commentary preceded by introduction), Atlanta 1998.
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Botting 1995: Botting, F. 1995. Gothic, London.
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Segal 1984: Segal, Ch. Senecan Baroque: The Death of Hippolytus in Seneca, Ovid, and Euripides, TAPA 114 (1984), 311–325.
Tietze Larson 1994: Tietze Larson, V. 1994. The Role of Description in Senecan Tragedy, Frankfurt am Main.
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