Abstract
In Mirbeau's novel Le Jardin des supplices (1899), the circular representation, completed and relayed by design of the plant, should be read violently. The reader conceives some philosophical influences or convergences. The Narcissus myth is subjected here to a literary transmutation. The novel tells a personal obsession; it becomes a reconciliation between earlier fictions [L'Abbé Jules (1888), Dans le ciel (1892-1893)] and his dramatic work which is coming.References
Chevalier J., Gheerbrant A. (1994), Dictionnaire des symboles, Paris : Laffont. Collection Bouquins.
Mirbeau O. (1990), « Le Calvaire », in : Les Romans autobiographiques, Paris : Le M ercure de France.
Mirbeau O. (1990), Contes cruels, Paris : Séguier.
Mirbeau O. (1990), Le Jardin des supplices, Paris : Folio Gallimard.
Mirbeau O. (1977), La 628-E8, Paris : UGE. 10/18.
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