Abstract
The aim of the present article is to shed the light on educational aspects which can be obtained by the exploration of an authentic, advertising material. The analysis attempts to demonstrate how communicative and linguistic characteristics, argumentative patterns, rhetorical figures and cultural aspects, which constitute the complex structure which is advertising message, convey values, stereotypes, social and linguistic tendencies. All of the above are conceived in order to complete the goals of persuasion. For the teacher, it is a rich, authentic and precious resource which gives the student the opportunity to extend his abilities and skills, to face and approach a new, linguistic and cultural context.
References
Arcangeli, M. (2008). Il linguaggio pubblicitario. Roma: Carocci.
Balboni, P.E. (2002). Le sfide di Babele. Torino: UTET.
Begotti, P. (2008). Dalla pubblicità alle canzoni: didattizzare materiale autentico per insegnare l’italiano a stranieri. Rivista ITALS, XVI, 33-50. Retrieved from: http://www.provincia.bz.it/cultura/download/Articolo_2_Begotti.pdf.
Begotti, P. (2010). Didattizzazione di materiali autentici e analisi dei manuali di italiano per stranieri. Laboratorio ITALS. Università Ca’ Foscari di Venezia. Retrieved from: http://www.itals.it/sites/default/files/Filim_didattizzazione_analisi_teoria.pdf.
Benucci, A. (2007). Lingue straniere e pubblicità: pubblicità televisiva e insegnamento dell’italia no. In M. Cardona (ed.), Vedere per capire e parlare (pp. 107-136). Torino: UTET Università.
Berruto, G. (1987). Sociologia dell’italiano contemporaneo. Roma: Carocci.
Bonvino, E. (2004). I materiali didattici per l’insegnamento dell’italiano L2: criteri di selezione. Pisa: ICON.
Caiazzo, L., Liotto, M.R., Morlicchio, E. (2005). La pubblicità anima la didattica. In C. Lavinio (ed.), Educazione linguistica e educazione letteraria. Intersezioni e interazioni (pp. 106-115). Milano: FrancoAngeli.
Capozzi, M.R. (2008). La comunicazione pubblicitaria: aspetti linguistici, sociali e culturali. Milano: FrancoAngeli.
Cardona, G.R. (1974). La lingua della pubblicità. Ravenna: Longo.
Dardano, M. (2003). Il linguaggio dei giornali: il registro pubblicitario. In M. Baldini (ed.), Le fantaparole. Il linguaggio della pubblicità (pp. 199-206). Roma: Armando Editore.
Desideri, P. (ed.) (1996). La pubblicità tra lingua e icona. Ancona: Humana Editrice.
Dogana, F. (1991). Iconismi verbali nel messaggio della pubblicità. In L. Satta (ed.), Il linguaggio della pubblicità (p. 23-43). Milano: Mursia.
Ghelli, S. (2014). Lo spot pubblicitario nell’apprendimento della “Cultura Italia”. Voices in Italian Americana, vol. 25, I, 3-17.
Harrich, K. (2011). Il notiziario ovvero l’importanza dell’uso di materiali autentici nell’insegnamento-apprendimento linguistico. Italiano LinguaDue, II, 321-335.
Hymes, D. (1974). Foundations in Sociolinguistics: An Ethnographic Approach. Philadelphia: University of Pennsylvania Press.
Lavinio, C. (1997). La pubblicità nella didattica. In G.L. Quartu (ed.), Crescere con la pubblicità. Didattica e comunicazione pubblicitaria. Cagliari: Artigianarte.
Magagnoli, S. (2013). Carosello, ovvero l’educazione al consumo. Parma economica, 3, 32-38.
Mauroni, E. (2001). Imparare l’italiano L2 con le canzoni. Un contributo didattico. Italiano LinguaDue, I, 397-438.
Migliorini, B. (1963). Lingua Contemporanea. Firenze: Sansoni.
Mollica, A. (1979). A Tiger in Your Tank: Advertisements in the Language Classroom. The Canadian
Modern Language Review / La Revue Canadienne des Langues Vivantes, 35, 4, 691-473.
Morrow, K. (1977). Authentic texts and ESP. In S. Holden (ed.), English for specific purposes. London: Modern English Publications.
Pavan, E. (2011). Saper osservare la pubblicità come documento interculturale. Revista De Italianística, 21-22, 123-148.
Pittèri, D. (2003). Pubblicità. In A. Abruzzese (ed.), Lessico della comunicazione (pp. 468-474). Roma: Meltemi.
Rossi, F. (2011). Pubblicità e lingua. In R. Simone (ed.), Enciclopedia dell’italiano, vol. II (pp. 1187-1188). Roma: Istituto della Enciclopedia Italiana.
Salerno, S. (2014). Il linguaggio pubblicitario fra persuasione e retorica. H-ermes. Journal of Communication, II, 59-80.
Santipolo, M. (2014). L’impiego dei materiali autentici per lo sviluppo della competenza sociolinguistica: riflessioni teoriche e spunti operativi. Cultura e comunicazione, V, 5, 15-22.
Sobrero, A.A. (1993). Lingue speciali. In A.A. Sobrero (ed.), Introduzione all’italiano contemporaneo, vol. II (pp. 237-277). Bari: Laterza.
Spinelli, B. (2005). L’utilizzo di materiali autentici nell’insegnamento dell’italiano come LS. In La formazione di base del docente di italiano (pp. 133-147). Roma: Bonacci.
Vassallo, M.L. (2006). L’ippogrifo didattico: il fascino del materiale autentico. Bollettino Itals, 14.
Retrieved from: https://www.itals.it/l’ippogrifo-didattico-il-fascino-del-materiale-autentico.
Wallace, C. (1992). Reading. Oxford: Oxford University Press.
Wilkins, D.A. (1975). A communicative Approach to Syllabus Construction in Adult Language
Learning. In A.J. van Essen, J.P. Menting (eds.), The context of Foreign Language Learning (pp. 173-179). Assen: Van Gorcum.
Wilkins, D.A. (1976). Notional syllabuses. Oxford: Oxford University Press.
Załęska, M. (2014). Retoryka i glottodydaktyka. Perswazja na zajęciach z języka włoskiego. Język Obcy w Szkole, 3, 35-39. Retrieved from: http://jows.pl/sites/default/files/zaleska.pdf.
Materiali audiovisivi
Carosello Bialetti, serie Sembra facile, episodio “Telequiz” (1958), http://bit.ly/Bialetti-telequiz.
Spot Findus, serie Gustose sorprese (2014), http://bit.ly/Findus-gustose-sorprese.
Spot IKEA Italia, serie Basta poco per cambiare (2012), http://bit.ly/IKEA-basta-poco-per-cambiare.
Spot IKEA Polska, serie Dom to frajda (2013), http://bit.ly/IKEA-dom-to-frajda.
License
- The Author hereby warrants that he/she is the owner of all the copyright and other intellectual property rights in the Work and that, within the scope of the present Agreement, the paper does not infringe the legal rights of another person.The owner of the copyright work also warrants that he/she is the sole and original creator thereof and that is not bound by any legal constraints in regard to the use or sale of the work.
- The Author grants the Purchaser non-exclusive and free of charge license to unlimited use worldwide over an unspecified period of time in the following areas of exploitation:
2.1. production of multiple copies of the Work produced according to the specific application of a given technology, including printing, reproduction of graphics through mechanical or electrical means (reprography) and digital technology;
2.2. marketing authorisation, loan or lease of the original or copies thereof;
2.3. public performance, public performance in the broadcast, video screening, media enhancements as well as broadcasting and rebroadcasting, made available to the public in such a way that members of the public may access the Work from a place and at a time individually chosen by them;
2.4. inclusion of the Work into a collective work (i.e. with a number of contributions);
2.5. inclusion of the Work in the electronic version to be offered on an electronic platform, or any other conceivable introduction of the Work in its electronic version to the Internet;
2.6. dissemination of electronic versions of the Work in its electronic version online, in a collective work or independently;
2.7. making the Work in the electronic version available to the public in such a way that members of the public may access the Work from a place and at a time individually chosen by them, in particular by making it accessible via the Internet, Intranet, Extranet;
2.8. making the Work available according to appropriate license pattern Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) as well as another language version of this license or any later version published by Creative Commons. - The Author grants the Adam Mickiewicz University in Poznan permission to:
3.1. reproduce a single copy (print or download) and royalty-free use and disposal of rights to compilations of the Work and these compilations.
3.2. send metadata files related to the Work, including to commercial and non-commercial journal-indexing databases. - The Author declares that, on the basis of the license granted in the present Agreement, the Purchaser is entitled and obliged to allow third parties to obtain further licenses (sublicenses) to the Work and to other materials, including derivatives thereof or compilations made based on or including the Work, whereas the provisions of such sub-licenses will be the same as with the attributed license pattern Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)or another language version of this license, or any later version of this license published by Creative Commons. Thereby, the Author entitles all interested parties to use the work, for non-commercial purposes only, under the following conditions:
4.1. acknowledgment of authorship, i.e. observing the obligation to provide, along with the distributed work, information about the author, title, source (link to the original Work, DOI) and of the license itself.
4.2. the derivatives of the Work are subject to the same conditions, i.e. they may be published only based on a licence which would be identical to the one granting access to the original Work. - The University of Adam Mickiewicz in Poznań is obliged to
5.1. make the Work available to the public in such a way that members of the public may access the Work from a place and at a time individually chosen by them, without any technological constraints;
5.2. appropriately inform members of the public to whom the Work is to be made available about sublicenses in such a way as to ensure that all parties are properly informed (appropriate informing messages).
Other provisions
- The University of Adam Mickiewicz in Poznań hereby preserves the copyright to the journal as a whole (layout/stylesheet, graphics, cover design, logo etc.)