Keywords
concentration camp
Paris
migrants
colonialism
Driss Chraïbi
How to Cite
Abstract
The article examines the question of the concentration camp space and the figure of the “Muslim” in the novel Les Boucs (1955) by the Moroccan writer Driss Chraïbi. Published ten years after the war, the novel nevertheless uses certain motifs from the literature of the camps. Even if the geography of “Arab Paris” in North African literature has been well described and analyzed, the kinship of the Goats with concentration camp literature has not received sufficient attention. Therefore, in my study I will first recall the circumstances of publication of the novel and the main lines of its reception by critics to then move on to the analysis of the concentrationary space in the novel. The link with the space of the camps will finally be reinforced by the evocation of the figure of the “Muslim”, well known from the testimonies and expressly exploited by Driss Chraïbi.
References
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