Ключевые слова
neologisms
linguistic games
intertextual references
Как цитировать
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Аннотация
The title nostalgia in Andrei Tarkovsky’s film is evoked by the Russian writer’s longing for his family and homeland. It is activated in his contact with another culture, in this case with Italian culture. This paper attempts to provide an analysis of the mechanisms used by the director to make a projection of this emotional state and to portray it in the film. A number of intersemiotic relations among visual, verbal and sound codes were analysed. The following relations were identified: complementarity, parallelism and contradiction. The provided examples show the significance of the visual code as an indicator of cultural otherness. They also prove the diversity of stylistic devices used for transposing emotional states to the physical world.Библиографические ссылки
Горшкова В. Е. 2006. Перевод в кино, Иркутск: Иркутский государственный лингвистический университет.
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О природе ностальгии. Интервью с Андреем Тарковским вел Гидеон Бахман, электронный ресурс: http://tarkovskiy.su/texty/Tarkovskiy/Bachmann.html (доступ 5.09.2017).
Citko K. 2013. Wyobraźnia oniryczna. Obrazy w twórczości Andrieja Tarkowskiego, [в:] I. A. NDiaye, M. Sokołowski (ред.), Strefa filmu. Kino Andrieja Tarkowskiego, Toruń: Wydawnictwo Adam Marszałek.
Engel Ch., Lewicki R. (ред.) 2005. Interkulturalität. Slawistische Fallstudien, Innsbruck: Verlag der Sprachwissenschaft.
Kulisiewicz M., Ocalić pełnię. Interpretacja filmów Tarkowskiego, электронный ресурс: www. jungpoland.org/pl/zbior-tekstow/ocalic-pelnie-interpretacja-filmow-tarkowskiego. html (доступ 8.09.2017).
Tomaszkiewicz T. 2006. Przekład audiowizualny, Warszawa: PWN. Tomaszkiewicz T. 2010. Przekład audiowizualny, werbo-wizualny czy intersemiotyczny: różne wymiary tej samej rzeczywistości, „Lingwistyka Stosowаna”, № 3.
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