Abstract
Byzantines were well aware that Symeon I, Bulgarian sovereign (893–927), was an educated man, deeply rooted in his own culture and not devoid of the knowledge of their world. Such awarness is an undertone of the letters by Nicholas the Mysticus, and was the most emphatically expressed – as the majority of scholars assume – by Liutprand of Cremona. The latter, in his Antapodosis, called Symeon an emiargos, which is supposed to mean semigrecus, ‘a half-Greek.’ However, this meaning is far from established. Michele Bandini has recently suggested that the word may have been a corrupt Latin version of ἡμίεργος, ‘half-developed, unfinished,’ being a negative description of the tsar of Bulgaria. Nevertheless, if one accepts M. Bandini’s idea or assumes the traditional understanding of emiargos as semigrecus, it should be noted that the term should not be understood as an expression of recognition, but rather as Irony, acerbity or even hostility. This interpretation matches far more accurately the overall perception of Symeon’s image in the Byzantine eyes, yet, by no means does it change the present assessment of his accomplishments and legacy.References
Bandini M., Simeon di Bulgaria l’ ‘incompiuto’ (Liudpr. Antap. 3, 29), „Studi Medievali e Umanistici”, 2009, t. 7.
Berschin W., Grecko-łacińskie średniowiecze. Od Hieronima do Mikołaja z Kuzy, przeł. K. Liman, Gniezno, 2003.
Berschin W., Liudprands Griechisch und das Problem einer überlieferungsgerechten Edition, „Mittellateinisches Jahrbuch”,1985, t. 20.
Bisanti A., L’Antapodosis di Liutprando di Cremona. A proposito di una recente edizione, “Medieval Sophia. Studi e ricerche sui saperi medievali”, 2009, t. 5.
Die Werke Liudprands von Cremona, red. J. Becker, Hannover-Leipzig, 1915.
Dujčev I., On the Treaty of 927 with the Bulgarians,„Dumbarton Oaks Papers”, 1978, t. 32.
Kazhdan А., A History of Byzantine Literature (850-1000), red. A.C. Angelidi, Athens, 2006.
Koder J., Weber T., Liutprand von Cremona in Konstantinopel. Untersuchungen zum griechischen Sprachschatz und realienkundlichen Aussagen in seinem Werken, Wien, 1980.
Koder J., Liutprand von Cremona in Konstantinopel und die griechische Sprache [w:] Liutprand von Cremona in Konstantinopel, red. J. Koder, J. Weber, Wien, 1980, s. 15-70.
La Antapódosis o Retribución de Liutprando de Cremona, red. P.A. Cavallero, H. Francisco, M. Rosende, M. Maciel, Madrid, 2007.
Leszka M. J., Symeon I Wielki a Bizancjum. Z dziejów stosunków bułgarsko-bizantyńskich w latach 893-927, Łódź, 2013.
Leszka M. J., Wizerunek władców pierwszego państwa bułgarskiego w bizantyńskich źródłach pisanych (VIII - pierwsza połowa XII wieku), Łódź, 2003, s. 89-123.
Lexicon zur Byzantinischen Gräzität besonders des 9.-12. Jahrhunderts, Band A-K, Erstellt von E. Trapp, Wien, 2001.
Liudprandi episcopi Cremonensis Opera omnia, red. E. Dümmler, Hannoverae, 1877.
Liudprandi episcopi Cremonensis Opera omnia, red. G. H. Pertz, Hannoverae, 1839.
Liutprand, Antapodosis, III [w:] Liudprandi Cremonensis Opera omnia, a cura di P. Chiesa, Turnholti, 1998.
Linzel M., Studien über Liudprand von Cremona, Berlin, 1933.
Marinow K., In the Shackles of the Evil One. The Portrayal of Tsar Symeon I the Great (893-927) in the „Oration On the Treaty with the Bulgarians”, “Studia Ceranea”, 2011, nr 1, s. 180-189.
Porfirogenito Constantino, De thematibus, red. A. Pertusi, Citta del Vaticano, 1952.
Shepard J., Manners maketh Romans? Young barbarians at the emperor’s court [w:] Byzantine Style, Religion and Civilization. In Honour of Sir Steven Runciman, red. E. Jeffreys, Cambridge, 2006, s. 141-155.
Sutherland J.N., Liudprand of Cremona, Bishop, Diplomat, Historian. Studies of the Man and his Age, Spoleto, 1988.
Toynbee A., Constantine Porphyrogenitus and his World, London, 1973.
Wolińska T., Konstantynopol i jego mieszkańcy widziani oczyma Liudpranda z Kremony, „Vox Patrum”, 2008, t. 28, s. 1231-1243.
Wolińska T., Konstantynopolitańska misja Liudpranda z Kremony (968) [w:] Cesarstwo Bizantyńskie. Dzieje-religia-kultura. Studia ofiarowane Profesorowi Waldemarowi Ceranowi przez uczniów na 70-lecie Jego urodzin, red. P. Krupczyński, M. J. Leszka, Łask-Łódź, 2006, s. 201-223.
Ангелов П., България и българите в представите на византийците (VII- XIV век), София, 1999, s. 182-199.
Божилов И., Цар Симеон Велики (893-927): Златният век на Средновековна България, София, 1983.
Гечев С., Към въпроса за авторството на Храбровата апология, „Литературна мисъл”, 1975, t. 19.
Златарски В.Н., История на Българската държава през средните векове, t. I, София, 1927.
Трендафилов Х., Младостта на цар Симеон, София 2010.
License
- The Author hereby warrants that he/she is the owner of all the copyright and other intellectual property rights in the Work and that, within the scope of the present Agreement, the paper does not infringe the legal rights of another person.The owner of the copyright work also warrants that he/she is the sole and original creator thereof and that is not bound by any legal constraints in regard to the use or sale of the work.
- The Author grants the Purchaser non-exclusive and free of charge license to unlimited use worldwide over an unspecified period of time in the following areas of exploitation:
2.1. production of multiple copies of the Work produced according to the specific application of a given technology, including printing, reproduction of graphics through mechanical or electrical means (reprography) and digital technology;
2.2. marketing authorisation, loan or lease of the original or copies thereof;
2.3. public performance, public performance in the broadcast, video screening, media enhancements as well as broadcasting and rebroadcasting, made available to the public in such a way that members of the public may access the Work from a place and at a time individually chosen by them;
2.4. inclusion of the Work into a collective work (i.e. with a number of contributions);
2.5. inclusion of the Work in the electronic version to be offered on an electronic platform, or any other conceivable introduction of the Work in its electronic version to the Internet;
2.6. dissemination of electronic versions of the Work in its electronic version online, in a collective work or independently;
2.7. making the Work in the electronic version available to the public in such a way that members of the public may access the Work from a place and at a time individually chosen by them, in particular by making it accessible via the Internet, Intranet, Extranet;
2.8. making the Work available according to appropriate license pattern Attribution-NoDerivatives 4.0 International (CC BY-ND 4.0) as well as another language version of this license or any later version published by Creative Commons. - The Author grants the Adam Mickiewicz University in Poznan permission to:
3.1. reproduce a single copy (print or download) and royalty-free use and disposal of rights to compilations of the Work and these compilations.
3.2. send metadata files related to the Work, including to commercial and non-commercial journal-indexing databases. - The Author declares that, on the basis of the license granted in the present Agreement, the Purchaser is entitled and obliged to allow third parties to obtain further licenses (sublicenses) to the Work and to other materials, including derivatives thereof or compilations made based on or including the Work, whereas the provisions of such sub-licenses will be the same as with the attributed license pattern Attribution-NoDerivatives 4.0 International (CC BY-ND 4.0) or another language version of this license, or any later version of this license published by Creative Commons. Thereby, the Author entitles all interested parties to use the work, for non-commercial purposes only, under the following conditions:
4.1. acknowledgment of authorship, i.e. observing the obligation to provide, along with the distributed work, information about the author, title, source (link to the original Work, DOI) and of the license itself.
4.2. the derivatives of the Work are subject to the same conditions, i.e. they may be published only based on a licence which would be identical to the one granting access to the original Work. - The University of Adam Mickiewicz in Poznań is obliged to
5.1. make the Work available to the public in such a way that members of the public may access the Work from a place and at a time individually chosen by them, without any technological constraints;
5.2. appropriately inform members of the public to whom the Work is to be made available about sublicenses in such a way as to ensure that all parties are properly informed (appropriate informing messages).
Other provisions
- The University of Adam Mickiewicz in Poznań hereby preserves the copyright to the journal as a whole (layout/stylesheet, graphics, cover design, logo etc.)