Nagłowek strony

Nr 7 (2008)

Spis treści


From the Editors PDF
Danuta Jasińska, Piotr Podlipniak 13-14
Music as a Medium of Communication. Two Visions of Musicology PDF
Maciej Jabłoński, Piotr Podlipniak 15-34
Music and Art - Levels of Communication PDF
Ludwik Bielawski 35-42
Absolute Pitch and Its Significance in the System of Musical Communication PDF
Sylwia Makomaska, Andrzej Rakowski 43-50
Hearing and Obedience in Traditional Cultures as a Condition for Transcendent Communication PDF
Piotr Dahlig 51-60
Reception of Music as a Cultural Process PDF
Bogumiła Mika 61-68
At the Foundations of Musical Metaphor: Models of Nature or Abstractly Presented Symbols PDF
Anna Czekanowska 69-78
On Analytical Listening in the Context of Metaphoric Imagination PDF
Ewa Schreiber 79-86
How Music Combines with Words? PDF
Krzysztof Guczalski 87-96
To Converse in Song with the Infinite PDF
Bożena Muszkalska 97-104
On Three Paradigms of Emotional Communication in Music PDF
Jarosław Mianowski 105-118
Communication versus Value. On Two Places of the Interpretation of Music PDF
Anna Koszewska 119-126
The Relationship between Notation and Performance in the Keyboard Compositions of Carl Philipp Emanuel Bach. A Composer's Specific Attempt to Communicate with Performers and Listeners PDF
Alina Mądry 127-140
French Requiems from the Years 1877-1963 as Thanatological Communication PDF
Jakub Kasperski 141-160
Arnold Bôcklin’s ‘Im Spiel der Wellen’ as Interpreted in Music by Composers Ludomir Różycki and Max Reger. A Contribution to the Theory and History of Musical Ekphrasis PDF
Marcin Gmys 161-170
Claude Debussy. A Grammar of Imagination PDF
Marcin Trzęsiok 171-184
Mental Representations of Tonal Images in Twentieth-Century Sonoristic Compositions PDF
Justyna Humięcka-Jakubowska 185-210
Jerzy Grotowski s Idea of an Actor's or Performer’s Inner Action PDF
Adriana Gałdyńska-Mazan 211-221

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