Tom 7 (2008)

Tom 7 (2008)

Opublikowany 2018 października 17

Articles

Danuta Jasińska, Piotr Podlipniak
13-14
From the Editors
PDF
Maciej Jabłoński, Piotr Podlipniak
15-34
Music as a Medium of Communication. Two Visions of Musicology
PDF
Ludwik Bielawski
35-42
Music and Art - Levels of Communication
PDF
Sylwia Makomaska, Andrzej Rakowski
43-50
Absolute Pitch and Its Significance in the System of Musical Communication
PDF
Piotr Dahlig
51-60
Hearing and Obedience in Traditional Cultures as a Condition for Transcendent Communication
PDF
Bogumiła Mika
61-68
Reception of Music as a Cultural Process
PDF
Anna Czekanowska
69-78
At the Foundations of Musical Metaphor: Models of Nature or Abstractly Presented Symbols
PDF
Ewa Schreiber
79-86
On Analytical Listening in the Context of Metaphoric Imagination
PDF
Krzysztof Guczalski
87-96
How Music Combines with Words?
PDF
Bożena Muszkalska
97-104
To Converse in Song with the Infinite
PDF
Jarosław Mianowski
105-118
On Three Paradigms of Emotional Communication in Music
PDF
Anna Koszewska
119-126
Communication versus Value. On Two Places of the Interpretation of Music
PDF
Alina Mądry
127-140
The Relationship between Notation and Performance in the Keyboard Compositions of Carl Philipp Emanuel Bach. A Composer's Specific Attempt to Communicate with Performers and Listeners
PDF
Jakub Kasperski
141-160
French Requiems from the Years 1877-1963 as Thanatological Communication
PDF
Marcin Gmys
161-170
Arnold Bôcklin’s ‘Im Spiel der Wellen’ as Interpreted in Music by Composers Ludomir Różycki and Max Reger. A Contribution to the Theory and History of Musical Ekphrasis
PDF
Marcin Trzęsiok
171-184
Claude Debussy. A Grammar of Imagination
PDF
Justyna Humięcka-Jakubowska
185-210
Mental Representations of Tonal Images in Twentieth-Century Sonoristic Compositions
PDF
Adriana Gałdyńska-Mazan
211-221
Jerzy Grotowski s Idea of an Actor's or Performer’s Inner Action
PDF