Opublikowane: 2018-10-17

Articles

From the Editors

Danuta Jasińska, Piotr Podlipniak

13-14

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Music as a Medium of Communication. Two Visions of Musicology

Maciej Jabłoński, Piotr Podlipniak

15-34

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Music and Art - Levels of Communication

Ludwik Bielawski

35-42

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Absolute Pitch and Its Significance in the System of Musical Communication

Sylwia Makomaska, Andrzej Rakowski

43-50

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Hearing and Obedience in Traditional Cultures as a Condition for Transcendent Communication

Piotr Dahlig

51-60

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Reception of Music as a Cultural Process

Bogumiła Mika

61-68

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At the Foundations of Musical Metaphor: Models of Nature or Abstractly Presented Symbols

Anna Czekanowska

69-78

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On Analytical Listening in the Context of Metaphoric Imagination

Ewa Schreiber

79-86

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How Music Combines with Words?

Krzysztof Guczalski

87-96

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To Converse in Song with the Infinite

Bożena Muszkalska

97-104

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On Three Paradigms of Emotional Communication in Music

Jarosław Mianowski

105-118

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Communication versus Value. On Two Places of the Interpretation of Music

Anna Koszewska

119-126

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The Relationship between Notation and Performance in the Keyboard Compositions of Carl Philipp Emanuel Bach. A Composer's Specific Attempt to Communicate with Performers and Listeners

Alina Mądry

127-140

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French Requiems from the Years 1877-1963 as Thanatological Communication

Jakub Kasperski

141-160

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Arnold Bôcklin’s ‘Im Spiel der Wellen’ as Interpreted in Music by Composers Ludomir Różycki and Max Reger. A Contribution to the Theory and History of Musical Ekphrasis

Marcin Gmys

161-170

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Claude Debussy. A Grammar of Imagination

Marcin Trzęsiok

171-184

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Mental Representations of Tonal Images in Twentieth-Century Sonoristic Compositions

Justyna Humięcka-Jakubowska

185-210

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Jerzy Grotowski s Idea of an Actor's or Performer’s Inner Action

Adriana Gałdyńska-Mazan

211-221

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