Vol. 7 (2008)

Published 2018 October 17

Journal cover , volume 7, year 2008

Articles

Danuta Jasińska, Piotr Podlipniak

13-14

From the Editors

https://doi.org/10.14746/ism.2008.7.1

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Maciej Jabłoński, Piotr Podlipniak

15-34

Music as a Medium of Communication. Two Visions of Musicology

https://doi.org/10.14746/ism.2008.7.2

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Ludwik Bielawski

35-42

Music and Art - Levels of Communication

https://doi.org/10.14746/ism.2008.7.3

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Sylwia Makomaska, Andrzej Rakowski

43-50

Absolute Pitch and Its Significance in the System of Musical Communication

https://doi.org/10.14746/ism.2008.7.4

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Piotr Dahlig

51-60

Hearing and Obedience in Traditional Cultures as a Condition for Transcendent Communication

https://doi.org/10.14746/ism.2008.7.5

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Bogumiła Mika

61-68

Reception of Music as a Cultural Process

https://doi.org/10.14746/ism.2008.7.6

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Anna Czekanowska

69-78

At the Foundations of Musical Metaphor: Models of Nature or Abstractly Presented Symbols

https://doi.org/10.14746/ism.2008.7.7

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Ewa Schreiber

79-86

On Analytical Listening in the Context of Metaphoric Imagination

https://doi.org/10.14746/ism.2008.7.8

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Krzysztof Guczalski

87-96

How Music Combines with Words?

https://doi.org/10.14746/ism.2008.7.9

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Bożena Muszkalska

97-104

To Converse in Song with the Infinite

https://doi.org/10.14746/ism.2008.7.10

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Jarosław Mianowski

105-118

On Three Paradigms of Emotional Communication in Music

https://doi.org/10.14746/ism.2008.7.11

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Anna Koszewska

119-126

Communication versus Value. On Two Places of the Interpretation of Music

https://doi.org/10.14746/ism.2008.7.12

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Alina Mądry

127-140

The Relationship between Notation and Performance in the Keyboard Compositions of Carl Philipp Emanuel Bach. A Composer's Specific Attempt to Communicate with Performers and Listeners

https://doi.org/10.14746/ism.2008.7.13

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Jakub Kasperski

141-160

French Requiems from the Years 1877-1963 as Thanatological Communication

https://doi.org/10.14746/ism.2008.7.14

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Marcin Gmys

161-170

Arnold Bôcklin’s ‘Im Spiel der Wellen’ as Interpreted in Music by Composers Ludomir Różycki and Max Reger. A Contribution to the Theory and History of Musical Ekphrasis

https://doi.org/10.14746/ism.2008.7.15

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Marcin Trzęsiok

171-184

Claude Debussy. A Grammar of Imagination

https://doi.org/10.14746/ism.2008.7.16

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Justyna Humięcka-Jakubowska

185-210

Mental Representations of Tonal Images in Twentieth-Century Sonoristic Compositions

https://doi.org/10.14746/ism.2008.7.17

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Adriana Gałdyńska-Mazan

211-221

Jerzy Grotowski s Idea of an Actor's or Performer’s Inner Action

https://doi.org/10.14746/ism.2008.7.18

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