Nr 14 (2015)

Articles

Maciej Jabłoński, Jakub Kasperski, Piotr Podlipniak, Ewa Schreiber
13-14
From the Editors
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Byron Almen
15-33
The teleology of the sign user
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Siglind Bruhn
34-47
Apparebit repentina dies: Hindemith’s musical panorama of Judgment Day
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Andrew Davis
48-61
Interpreting Puccini’s Suor Angelica: An application of the semiotics of temporality
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William P. Dougherty
62-83
What is a musical sign?: A guess at the riddle
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Tristian Evans
84-99
Thesis and antithesis: Resolving the dialectique in the first movement of Debussy’s Violin Sonata
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Julius Fujak
100-112
The commentary to some motifs of Peter Faltin's semiotics of music
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Marta Grabocz
113-135
Narrative strategies of the Romantic “philosophical epics” in the piano works of Franz Liszt (Analysis o/Sposalizio, Valee D’Obermann, Ballade No. 2 and the Sonata in B minor)
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William M. Helmcke
136-150
At the “Crux” of Henryk Gorecki’s Totus Tuus, Op. 60: Signification of Polish Catholic Marian Devotion
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Grisell Macdonel
151-161
Existential semiotic analysis of the temporal and subjective dimensions of art music performance
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Dario Martinelli
162-174
Cinema and popular music, a multifold relationship. The cases ofEnnio Morricone and David Lynch
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Juha Ojala
175-191
A Peircean approach to musicality
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Mark Reybrouck
192-205
Musical sense-making between experience and conceptualisation: the legacy of Peirce, Dewey and James
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Paolo Rosato
206-220
Levels of modalization in existential and transcendental analysis: The matter of being-in-self
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Eero Tarasti
221-248
Culture and transcendence
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Eliza Krupińska
249-258
On Ruwet’s semiotically oriented theory of music
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Justyna Humięcka-Jakubowska
259-273
Electronic music in the perspective of semiotics
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Piotr Podlipniak
274-297
Domain-specific character of tonal cognition and its consequences for the semiotics of music
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Maciej Jabłoński
298-306
Musicology as a meta-theory of musical meaning
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