IRONIC AND NOSTALGIC PICTURE OF THE 60’ IN PÉTER TÍMÁR’S FILM DOLLYBIRDS (CSINBABA, 1997)
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Keywords

Hungarian cinema
Sixties
nostalgia
postcolonialism
irony

How to Cite

Bubak, G. (2013). IRONIC AND NOSTALGIC PICTURE OF THE 60’ IN PÉTER TÍMÁR’S FILM DOLLYBIRDS (CSINBABA, 1997). Porównania, 13, 191–202. https://doi.org/10.14746/p.2013.13.10990

Abstract

Péter Tímár’s film Dollybirds (Csinibaba, 1997) discovered uncharted territory and made the Hungarians realize that perhaps even subconsciously, they feel nostalgia for the sixties.
After the revolution of 1956, year by year the Hungarians started to believe that it is possibile
to live in that system, you just have to find the right place for yourself and lay low. Tímár
decided to use those memories combined with popular music tracks in his film, in an adaptation
of Gyula Márton’s short story.

https://doi.org/10.14746/p.2013.13.10990
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EPUB (Język Polski)
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References

„Filmvilág” 1997, nr 12, s. 19.

Nádori Péter, Az abszurd közmegegyezés. „Filmvilág” 1997, nr 3, s. 54.

Szekely Gabriella, Csapd le csacsi! „Filmvilag” 1992, nr 3, s. 58.

Tímár Péter w rozmowie z Tamásem Szőnyeiem, „Magyar narancs” 1997, nr 13.

Kövedy G., Recept nélkül, „Filmvilág” 1997, nr 12, s. 19.