Keywords
the sublime
the uncanny
Christ
Romanticism
postmodernism
poetry
How to Cite
Abstract
The poetry written by the Croatian poet Delimir Rešicki is associated with some of the more influential concepts of the Romantic poets. The paper analyzes the method by which Rešicki develops Christlike motives as a model of shaping the authorial concept and comprehending the poetic identity associated with the idea of a (divine) Genius. The focus is therefore placed on two textual strategies: stylizing the lyrical subject as an urban model and representing the idea of nomadism as the predominant existential form. The phrase “theological nomadism” is hereby used to relate the convergence of Rešicki’s lyrical poetry and Romanticism to some of the recent ethical and political debates in the field of theory.References
Bagić K., Tema praznine u hrvatskome pjesništvu druge polovice 20. stoljeća, u:Treba li pisati kako dobri pisci pišu, Zagreb 2004, str. 23–109.
Baudelaire C., The Painter of Modern life, u: Selected Writings on Art and Literature, prev. P. E. Charvet, Harmondsworth 1992.
Bauman Z., Postmodern Ethics, Oxford – Cambridge 1993.
Biti V.,Uskrsnuće ‘mrtve utopije’ lirske tradicije, „Poezija” 2005, br. 1–2, str. 89–90.
Botting F., Gothic, Abingdon – New York 1996.
Burke S., Autorship: from Plato to Postmodernism, Edinburg 1995.
Calinescu M., Lica moderniteta: avangarda, dekadencija, kič, prev. G. Slabinac, Zagreb 1988.
Clark T., The Theory of Inspiration, Manchester – New York 1997.
Crockett C., A Theology of the Sublime, London – New York 2001.
Day A., Romanticism, London – New York 1996.
De Chateaubriand F. R., Genij kršćanstva, Zagreb 2006 [1 1802].
Ellison D., Ethics and Aesthetics in European Modernist Literature. From the Sublime to the Uncanny, Cambridge – New York 2001.
Ferber M., Romanticism, Oxford – New York 2010.
Ferguson F., Solitude and Sublime, New York – London 1992.
Hall J., Rječnik tema i simbola u umjetnosti, Zagreb1991.
Hugo V., Izabrani stihovi, Beograd 1985.
Janion M., Romantizam, revolucija, marksizam, prev. S.
Subotin, Beograd 1976.
Jervis J., Uncanny Presences, u:Uncanny Modernity, ur. J. Collins, J. Jervis, New York 2008.
Kranjčević S. S., Izabrana djela, Zagreb 1996.
Krleža M., O Kranjčevićevoj lirici, u:Eseji III, Zagreb 1963.
Kugel J. L., Poetry and Prophecy, New York 1990.
Lacan J., Četiri temeljna pojma psihoanalize, Zagreb 1986.
Pavličić P., Mala tipologija moderne hrvatske lirike, Zagreb 2008.
Rem G., Koreografija teksta. Pjesništvo iskustva intermedijalnosti, Zagreb 2003.
Rešicki D., Gnomi, Zagreb 1985.
Rešicki D., Sretne ulice, Osijek 1987.
Rešicki D.,Die die my darling, Zagreb 1990.
Rešicki D., Knjiga o anđelima, Zagreb 1997.
Rešicki D.,Ezekijelova kola, Zagreb 1999.
Rešicki D., Aritmija, Zagreb 2005.
Shelley P. B., Obrana poezije i slobode, Beograd 1990 [1
.
Shaw P., The Sublime, New York 2006.
Vuković T., Ljubi Žižeka svoga, Zagreb 2009.
Žižek S., The Ticklish Subject.The Absent Centre of Political
Ontology, London – New York 1999.
Žižek S., The Fragile Absolute. Or Why Is the Christian Legacy Worth Fighting For?, London – New York 2000.
Žižek S., O vjerovanju. Nemilosrdna ljubav, prev. M. Miladinov, Zagreb 2005.
Žižek S., Gunjević B., Bog na mukama.Obrati apokalipse, prev. R. Karlović, Zagreb 2008.
Žižek S., Milbank J., The Monstrosity of Christ. Paradox or Dialectic?, Cambridge – London 2009.
License
Copyright
© by Adam Mickiewicz University, Poznań, 2011
OPEN ACCESS