Linguistic Processes in the Kaleidoscope of Spoken Language namely, on the Most Recent Trends in the Development of Russian and Ukrainian Languages
No. 15 (2018), REVIEWS
No. 15 (2018)

Linguistic Processes in the Kaleidoscope of Spoken Language namely, on the Most Recent Trends in the Development of Russian and Ukrainian Languages

REVIEWS
https://doi.org/10.14746/pss.2018.15.18
Published 2019-03-28
Anna Horniatko-Szumiłowicz
http://orcid.org/0000-0003-1625-6193
Uniwersytet im. Adama Mickiewicza w Poznaniu
Poland
Tetiana Monachowa
http://orcid.org/0000-0001-9833-1833
Czarnomorski Uniwersytet Państwowy im. Piotra Mohyły w Mikołajowie
Ukraine
PDF (Język Polski)

Keywords

Croatian cinematography
Yugoslav cinematography
Croatian film canon
film modernism
cinematic language

How to Cite

Horniatko-Szumiłowicz, A., & Monachowa, T. (2019). Linguistic Processes in the Kaleidoscope of Spoken Language namely, on the Most Recent Trends in the Development of Russian and Ukrainian Languages. Poznańskie Studia Slawistyczne, (15), 307–314. https://doi.org/10.14746/pss.2018.15.18
ACM ACS APA ABNT Chicago Harvard IEEE MLA Turabian Vancouver

Download Citation

Endnote/Zotero/Mendeley (RIS) BibTeX

Abstract

In his book, Patrycjusz Pająk composes a Croatian film canon. His top list of the best Croatian feature films contains 15 pictures: Concert (1954) by Branko Belan, H–8... (1958) by Nikola Tanhofer, Train Without a Timetable (1959) by Veljko Bulajić, Rondo (1966) by Zvonimir Berković, The Birch Tree (1967) and Gold, Frankincense and Myrrh (1971) by Ante Babaja, Kaya (1967) and An Event (1969) by Vatroslav Mimica, Handcuffs (1969) by Krsto Papić, Occupation in 26 Pictures (1978) by Lordan Zafranović, The Rhythm of Crime (1981) by Zoran Tadić, The Melody Haunts My Memory (1981) by Rajko Grlić, What Iva Recorded (2005) by Tomislav Radić, Buick Riviera (2008) by Goran Rušinović, The Blacks (2009) by Goran Dević and Zvonimir Jurić. As a main criterion for building his own canon, the author takes the innovative character of the cinematic language and the rich symbolic imagery of the story.
https://doi.org/10.14746/pss.2018.15.18
PDF (Język Polski)

Downloads

Download data is not yet available.

References

Burâčok, A.A. (1969). Funkcìonal’no-stilìstična ocìnka slìv u Slovniku ukraїns’koї movi. W: A.A. Burâčok, Leksikologìâ ta leksikografìâ, vip. III. Kiїv: Naukova dumka, s. 87–95.

Kulikova, I.S., Salmina, D.V. (2002). Vvedenie v metalingvistiku (sistemnyj, leksikografičeskij i kommunikativno-pragmatičeskij aspekty lingvističeskoj terminologii). Sankt-Peterburg: Saga.

Mac’ko, L.Ì., Sidorenko, O.M. (2003). Stilìstika ukraїns’koї movi. Red. L.Ì. Mac’ko. Kiїv: Viŝa škola.

Parasuckaâ, M.I. (2011). Manipulâciâ i „manipulâtivnyj diskurs” v lingvistike: principy issledovaniâ. „Vestnik Udmurtskogo Unіversiteta. Ictoriâ i filologiâ”, vyp. 2, s. 125–129.

Timenko, L. (2007). Leksikografìčnì pracì v Ìnternetì. „Leksikografìčnij bûleten’”, vip. HV, s. 58–62.

Timošenkova, T.M., Rebrij, A.V. (1994). K voprosu o kačestvennoj ocenke kak lingvističeskoj kategorii. „Vestnik Har’kovskogo universiteta «Teoretičeskie aspekty kommunikativnoj deâtel’nosti»”, № 382, s. 127–133.

Kosmeda, T. (2017). Lingvokalejdoskop: živye rečevye processy na materiale russkogo i ukrainskogo âzykov. Saarbrűcken: Lambert Academic Publishing, s. 13–14.

License

Creative Commons License

This work is licensed under a Creative Commons Attribution-NoDerivatives 4.0 International License.