The Slav Avant-garde in Australian Art
PDF

Keywords

Slav cultural memory
Slav artists
émigré artists
avant-garde
Australia

How to Cite

Bojić , Z. (2020). The Slav Avant-garde in Australian Art. Poznańskie Studia Slawistyczne, (18), 37–48. https://doi.org/10.14746/pss.2020.18.2

Abstract

Australian art history includes a peculiar short period during which the European avant-garde values were brought to Australia by a group of Slav artists who gathered in Adelaide in 1950. They were brothers Voitre (1919–1999) and Dušan Marek (1926–1993) from Bohemia, Władysław (1918–1999) and Ludwik Dutkiewicz (1921–2008) from Poland, and Stanislaus (Stanislav, Stan) Rapotec (1911–1997) from Yugoslavia, later joined by Joseph Stanislaus Ostoja-Kotkowski (1922–1994) from Poland. Each of these artists went on to leave their individual mark on the overall Australian art practice. This brief moment of the artists’ working and exhibiting together also enriched their later individual work with the very idea of a common Slav cultural memory.

https://doi.org/10.14746/pss.2020.18.2
PDF

References

Bojic, Z. (2005). The Artists of Slav Origins Working in Australia in the Twentieth Century. PhD thesis. Canberra: Australian National University.

Bojic, Z. (2007a). Stanislav Rapotec, a Barbarogenius in Australian Art. Belgrade: Andrejevic Endowment.

Bojic, Z. (2007b). Imaginary Homelands, the Art of Danila Vassilieff. Belgrade: Andrejevic Endowment.

Bungey, D. (2014). John Olsen. Melbourne: Harper Collins Australia.

Burke, J. (2002). Australian Gothic: A Life of Albert Tucker. Sydney: Knopf.

Burke, J. (1983). Joy Hester. Melbourne: Greenhouse Publications.

Casey, B. (2018). The World May Be Large, But It Is Also Round. “Meanjin Quarterly” Winter.

Davidson, I. (1999) Art, Theatre and Photography: Remembering Stan Ostoja-Kotkowski (1922–1994) in Adelaide, South Australia, 1954–1972. Strathalbyn: Davidson.

Dutkiewicz, A. (2000). Raising Ghosts: Post-World War Two European Emigré and Migrant Artists and the Evolution of Abstract Painting in Australia, with Special Reference to Adelaide ca.1950–1965. PhD thesis. Adelaide: University of South Australia.

Dutkiewicz, A. (2006). A Matter of Mind: An Introduction to the Art of Wladyslaw Dutkiewicz (1918–1999). Norwood: Moon Arrow Press.

Edwards, D. (2002) Robert Klippel. Sydney: Art Gallery of New South Wales.

Haese, R. (1981). Rebels and Precursors. The Revolutionary Years of Australian Art. Melbourne: Allen Lane.

Hammond, R. Menadier, B. (2008). From Migrant to Citizen: Artistic Accents. Sydney: Macquarie University.

Heathcote, C. (1995). A Quiet Revolution: The Rise of Australian Art 1946–68. Melbourne: Text Publishing.

Klepac, L. Wach, K. Free, R. James, B. (2004). James Gleeson Beyond the Screen of Sight. Sydney: Beagle Press.

Mould, S. (2008). The Birth of Love: Dušan and Voitre Marek, Artist Brothers in Czechoslovakia and Post-War Australia. Norwood: Moon Arrow Press.

Pearce, B. (2007). Sidney Nolan. Sydney: Art Gallery of New South Wales.