Eavesdropper, not (only) reader. Transgressive possibilities of doubly deictic “you”
Journal cover Poznańskie Studia Slawistyczne, no. 29, year 2025, title Defining, Blurring, and Crossing Boundaries
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Keywords

double deixis
personal pronoun “you”
cognitive stylistics
drama
Don’t forget to cover your feet

How to Cite

Puljić, G. (2025). Eavesdropper, not (only) reader. Transgressive possibilities of doubly deictic “you”. Poznańskie Studia Slawistyczne, (29), 117–133. https://doi.org/10.14746/pss.2025.29.6

Abstract

This article will take a closer look at the possible functions and stylizations of the use of the personal deictic “you” in the Croatian language. Since the double deixis manifests itself as a stylistic figure in its state of suspension – it is and is not a form of address – it is represented and exemplified by the so-called illocutionary overload as a (post-modern) discursive strategy that constructs the addressee and the audience. Narration or speaking in the second person singular will therefore serve as an illustration of (double) switches, a characteristic strategy for Tomičić’s drama for three voices, Don’t forget to cover your feet. It attempts to provide answers to questions such as: Does the reader have to be apostrophized to feel invited to participate in the discourse, does the present tense have to be a logical choice to achieve double deixis, what are signs of transition between the fictional and the real world in the Croatian language?

https://doi.org/10.14746/pss.2025.29.6
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