Abstrakt
Even though they are different in many ways, Montaigne’s essay “Of Experience”, Baudelaire’s poem “The Clock”, Canetti’s play The Numbered, and Desnica’s novel The Springtimes of Ivan Galeb share a common trait. They all highlight the importance of now. This comparative study analyses various ways in which they depict the present time and demonstrate how the past and the future can disable mindful living in the present.Bibliografia
Baker, J.M, Jr. (2006). Vacant Holidays: The Theological Remainder in Leopardi, Baudelaire, and Benjamin. “MLN” 121 (5), Comparative Literature Issue, Dec., pp. 1190–1219.
https://doi.org/10.1353/mln.2007.0000
Bakewell, S. (2010). How to Live: Or a life of Montaigne in One Question and Twenty Attempts at an Answer. London: Other Press.
Baudelaire, C. (1972). Les Fleurs du Mal. Paris: Gallimard.
Baudelaire, C. (1955). The Flowers of Evil. Ed. M. and J. Mathews. Trans. by R. Campbell. New Directions Books: New York.
Compagnon, A. (1988). L’écriture de l’instant das les ‘Essais’. “Revue d’Histoire littéraire de la France” 88 (5), Sept.–Oct., pp. 839–848.
Grimm, R.E. (1963). Horace’s’Carpe Diem’. “The Classical Journal” 58 (7), April, pp. 313–318.
Jackson, J.E. (1984). Baudelaire lecteur de Théofile Gautier les deux ‘Horloges’. “Revue d’Histoire littéraire de la France” 84 (3). May-Jun., pp. 439–449.
La Charité, R.C. (1970). The Relationship of Judgement and Experience in the ‘Essays’ of Montaigne. “Studies in Philology” 67 (1), Jan., pp. 31–40.
McManus, S. (2005). Fictive Theories: Towards a Deconstructive and Utopian Political Imagination. New York: Palgrave.
https://doi.org/10.1057/9781403976802
Medenica, I. (2015). Nazad ka velikim naracijama. In: Antologija savremene nemačke drame I. Prev. i prir. J. Kostić-Tomović et al. Beograd: Zepter Book World, pp. 11–30.
Montaigne, Michel de. (1952). The Essays of Michel Eyquem de Montaigne. Trans. C. Cotton. Ed. by W. C. Hazlitt, Chicago, London, Toronto: Encyclopaedia Britnnica, Inc.
Kaneti, E. (2015). „Oročeni“. Antologija savremene nemačke drame I. Prev. i prir. J. Kostić-Tomović et al. Beograd: Zepter Book World, pp. 223–284.
Russell, C. (2013). Archival Cinephilia in the Clock. “Framework: Journal of Cinema and Media”, 54 (2). Fall, pp. 243–258.
https://doi.org/10.1353/frm.2013.0022
Skenazi, C. (2013). Aging Gracefully in the Renaissance: Stories of Later Life from Petrarch to Montaigne. Boston: Leiden.
https://doi.org/10.1163/9789004255722
Willingham, R. (1992). Dystopia Visions in the Plays of Elias Canetti.“Science Fiction Studies” 19 (1). March, pp. 69–74.
Vukićević, D. (2007). Monolitnost dela Vladana Desnice, In: Književno delo Vladana Desnice: zbornik radova povodom 100-godišnjice rođenja. Ur. Ј. Radulović i D. Ivanić. Beograd: Biblioteka grada Beograda – Čigoјa štampa, pp. 71–86.
Desnica, V. (1990). Proljeća Ivana Galeba: igre proljeća i smrti. Beograd – Novi Sad: Rad – Budućnost.
Desnica, V. (1993). Eseјi, članci, pogledi. Beograd: BIGZ.
Popović, T. (2007). Svet koјi nestaјe – Desnica i Ǯoјs, In: Književno delo Vladana Desnice: zbornik radova povodom 100-godišnjice rođenja. Ur. Ј. Radulović i D. Ivanić. Beograd: Biblioteka grada Beograda – Čigoјa štampa, pp. 175–206.
Stoјanović. D. (2007). Јas života i јas smrti. In: Poverenje u Bogorodicu. Beograd: Dosiјe, pp. 127–156.
Licencja
Utwór dostępny jest na licencji Creative Commons Uznanie autorstwa – Bez utworów zależnych 4.0 Międzynarodowe.