Stawanie się ku bytowi
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Słowa kluczowe

Constantin Noica
Constantin Brâncuşi
ontology
philosphy of art
sculpture
Romanian culture
becoming into being

Jak cytować

Noica, C. (2019). Stawanie się ku bytowi. Przestrzenie Teorii, (29), 331–334. https://doi.org/10.14746/pt.2018.29.13

Abstrakt

Brâncuşi’s sculpture “Endless Column” in Târgu Jiu was interpreted by Constantin Noica as an artistic expression of the ontological vision characteristic of the Romanian sense of being. It brings together two great philosophical categories, traditionally seen as mutually exclusive: static being and dynamic becoming. Noica proves that Brâncuşi’s sculpture is unique in the way it illustrates “becoming into being” (Romanian = Devenirea întru fiinţa), the fundamental term in Noica’s ontology.

Przełożył Andrzej Zawadzki.

https://doi.org/10.14746/pt.2018.29.13
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