Keywords
Constantin Brâncuşi
ontology
philosophy of art
sculpture
Romanian culture
How to Cite
Abstract
The article Sculptor and philosopher deals with the Romanian thinker Constantin Noica’s interpretations of Constantin Brâncuşi’s work. These interpretations are presented with regard to Noica’s philosophical concepts, in particular his reflections on Romanian culture and the sense of being manifested within it. Of fundamental importance in his interpretations is the category of becoming within being – the most important idea developed by Noica and which he applied in many fields of philosophy.References
Heidegger M., Źródło dzieła sztuki, [w:] M. Heidegger, Drogi lasu, przeł. J. Gerasimiuk i inni, Warszawa 1997.
Noica C., Creaţie şi frumos în gândirea filozofică românească, Bucureşti 1976.
Noica C., Cuvânt împreuna despre rostirea filozofică românească, Bucureşti 2000.
Noica C., Despărţirea de Goethe, Bucureşti 2000.
Noica C., Introducere la miracolul eminescian, Bucureşti 2010.
Noica C., Pagini despre sufletul românesc, wyd. II, Bucureşti 2000.
Noica C., Rostirea filozofică românească, Bucureşti 1970.
Noica C., Sentimentul românesc al fiinţei, Bucureşti 1978.
Pöggeler O., Droga myślowa Martina Heideggera, przeł. B. Baran, Warszawa 2002.
Wodziński C., Kairos. Konferencja w Todtnaubergu. Celan-Heidegger, Gdańsk 2010.
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