No. 26 (35) (2025)

Articles

Ryszard Lubieniecki
9-22
Taming Memory, Punishing Forgetfulness. On Physical Violence in Music Pedagogy in the Context of Medieval Mnemonic Tradition
https://doi.org/10.14746/rfn.2025.26.1
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Tomasz Jeż
23-31
Forgotten and Recalled Musical Repertoire in Protestant Breslau
https://doi.org/10.14746/rfn.2025.26.2
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Grzegorz Joachimiak
32-59
The Mechanisms of Remembering and Forgetting in the Musical Culture of Silesia: Caspar Neumann (1648–1715) and Reception of the Song: “Liebster Gott, wenn werd ich sterben”
https://doi.org/10.14746/rfn.2025.26.3
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Agnieszka Jeż
60-72
„The Old Man Is Forgotten”. On the Process of Reconstructing Collective Memory in the Repertoire of Songs of the Land of Israel
https://doi.org/10.14746/rfn.2025.26.4
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Anna Tenczyńska
73-78
„Overture of the Sound That Kills”. On One Aspect of Wakacje nad Adriatykiem [Vacations on the Adriatic] by Zofia Posmysz
https://doi.org/10.14746/rfn.2025.26.5
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Krzysztof Moraczewski
79-89
From Modernism to the Music of Oblivion
https://doi.org/10.14746/rfn.2025.26.6
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Lech Dzierżanowski
90-99
From erasure to oblivion (and what comes after?) – the case of Roman Palester
https://doi.org/10.14746/rfn.2025.26.7
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Beata Bolesławska-Lewandowska
100-109
From Oblivion to Remembrance: the Case of Andrzej Panufnik
https://doi.org/10.14746/rfn.2025.26.8
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Szymon Borys
110-123
The Existence and Nonexistence of Belarusian Music
https://doi.org/10.14746/rfn.2025.26.9
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Jan Topolski
124-138
Sikorski/Eastman: the Processes of Forgetting and Remembering
https://doi.org/10.14746/rfn.2025.26.10
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Antoni Michnik
139-149
"Any Resemblance of My Speech, with Perhaps the Exception of Rhythm, Is Destroyed” – Memory in the Works of Alvin Lucier
https://doi.org/10.14746/rfn.2025.26.11
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Karolina Dąbek
150-163
Critical Theory of Topophony
https://doi.org/10.14746/rfn.2025.26.12
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