Keywords
authorship
critical reception
Croatian literature
Dubravka Oraić Tolić
flâneur
dandy bohem
nation
identity
How to Cite
Abstract
Paper deals with a conception of Antun Gustav Matoš authorship, regarding his own definition of his life as a work of art. Performing his authorship in a variety of literary texts, letters and notices, he lived in extremes, being flaneur, dandy and a bohem, world traveler and a nationalist ideologist, what influenced reception of his work until recent period. Critical and historiographic, as much as other literary works related to AGM follow this „author-centered” positions regarding his life as a work of art, as much as his literary texts as a reflection of his life. Latest Croatian „Matosiana” book, Dubravka Oraić Tolić̕ Reading Matoš (Čitanja Matoša, 2013), attests some traditional critical assumptions regarding authorship of this canonical writer end expands them in a new context. Different theories of literary canon formation, especially those grounded on feminist or psychoanalytical approach, call in question usual strategies in creation and understanding AGMs authorship, aestheticism and anti-modernism.References
Bagić K., 1999, Umijeće osporavanja. Polemički stilovi A.G. Matoša i M. Krleže, Zagreb.
Frangeš I., 1974, Matoš, Vidrić, Krleža, Zagreb.
Frangeš I., 1998, Susret sna i jave na raskršću života. „Cvijet sa raskršća” Antuna Gustava Matoša, u: I. Frangeš, V. Žmegač, Hrvatska novela. Interpretacije, Zagreb, str. 165–181.
Gilbert S.M., Gubar S., 2000, The Madwoman in the Attic: the Woman Writer and the Nineenth-century Imagination, London–Yale.
Herrnstein Smith B., 1988, Contingencies of Value. Alternative Perspectives for Critical Theory, Cambridge–Massachusetts–London.
Jelčić D., 1984, Matoš, Zagreb.
Jelčić D., 2011, Literatura o Antunu Gustavu Matošu (1896.–2009.), Zagreb.
Kravar Z., 2001, Suvremene teme i konzervativni nazori u lirici A.G. Matoša, u: N. Batušić, Z. Kravar, V. Žmegač, Književni protusvjetovi. Poglavlja iz hrvatske moderne, Zagreb, str. 89–96.
Ladan T., 1970, Ta kritika, Zagreb.
Matoš A.G., 1973, Pjesme. Pečalba, u: Sabrana djela, sv. 5, ur. D. Tadijanović, Zagreb.
Matoš A.G., 1973, Pisma I., u: Sabrana djela, sv. 19, ur. D. Kapetanić, Zagreb.
Moers E., 1960, The Dandy: Brummell to Beerbohm, New York.
Nemec K., 2010, Čitanje grada. Urbano iskustvo u hrvatskoj književnosti, Zagreb.
Oraić Tolić D., 2013, Čitanja Matoša, Zagreb.
Pranjić K., 1972, Jezik i stil Matoševe pripovjedačke proze, Zagreb.
Pranjić K., 2006, Iz-Bo-sne k Europi, Zagreb–Sarajevo.
Protrka M., 2008, Stvaranje književne nacije. Oblikovanje kanona u hrvatskoj književnoj periodici 19. st, Zagreb.
Senker B., 2000, Lik žene i glumice u razdoblju hrvatske moderne, u: Komparativna povijest hrvatske književnosti. Zbornik radova II (Moderna), ur. M. Tomasović, V. Glunčić-Bužančić, Split, str. 17–30.
Stamać A., 1971, Ujević, Zagreb.
Šicel M., 1966, Matoš, Zagreb.
Šicel M., 1978, Književnost moderne, knj. 5, Povijest hrvatske književnosti, Zagreb.
Vuković Runjić M., 2013, Proust u Veneciji, Matoš u Mlecima, Zagreb.
Žmegač V., 1993, Književni impresionizam, u: V. Žmegač, Duh impresionizma i secesije. Studije o književnosti hrvatske moderne, Zagreb, str. 11–90.
License
Authors
The authors of the articles accepted for publication in the journal Poznańskie Studia Slawistyczne are obliged to fill up the contract for providing the journal free licence (along with sub-licence CC) to works. The contract should be also signed by the authors and sent back to the editorial board of the journal.
Under the terms of the contract, the authors of the texts published in the journal “Poznańskie Studia Slawistyczne” provide the University of Adam Mickiewicz in Poznań with a non-exclusive free licence and allow the aforementioned institution to use the sub-licence Creative Commons Attribution-NoDerivatives 4.0 International (CC BY-ND 4.0).
The authors hold the copyright for their texts.
Users
The Internet users are eligible for using the works published in “Poznańskie Studia Slawistyczne” from 2015 under the following conditions:
- recognition of the authorship: the popularized work must contain information about the author, title, source (references to the original work, DOI) and licence.
- no derivative works may be created: the work must be preserved in its original form, the work’s translations or elaborations cannot be distributed without the author’s permission.
The copyright to the texts published before 2015 is reserved.
Other
The University of Adam Mickiewicz in Poznań holds the right for the entire journal (its segmentation, graphical form, title, cover design, logo, etc.).