Transferring differentiation and integration through picking up students’ speech by hip-hop and its appreciation
PDF (English)

Słowa kluczowe

HHBE in IB
HHPED in IB
differentiation through Hip-hop
integration through Hip-hop
IB transfer skills through Hip-hop

Jak cytować

Janiec , J. (2020). Transferring differentiation and integration through picking up students’ speech by hip-hop and its appreciation. Kultura-Społeczeństwo-Edukacja, 16(2), 23–44. https://doi.org/10.14746/kse.2019.16.2

Abstrakt

Janiec Jerzy, Transferring differentiation and integration through picking up students’ speech by hip-hop and its appreciation. Culture – Society – Education no 2(16) 2019, Poznań 2019, pp. 23–44, Adam Mickiewicz University Press. ISSN 2300-0422. DOI 10.14746/kse.2019.16.2.

The main aim of this paper is to demonstrate the Hip-hop based Education (HHBE) and Hip-hop Pedagogy (HHPED) as two accommodating strategies that may be utilized fourishingly to differentiate a teaching-learning process further to integrate learners in any education-like environment, as the example the IB World School No. 006654 International School of Bydgoszcz (ISOB) has been chosen. This is the first study presenting international community in a truly homogeneous society (ca. 98% of Polish inhabitants in their country). The author enlists affirmative methodologies beginning with a hypothesis that the Hip-hop culture
is gaining popularity among adolescents in greater numbers. As a result of observations, interviews and survey he is acquainted with students’ wants and needs. There is a necessity to put them in a bigger picture by analyzing the phenomenon from a historical, sociological, political, economical and intercultural viewpoint on a local (Bydgoszcz’s) and global scale. And finally, the author is describing a use of the aforesaid strategies through transfer skills that are taught in the IB History and Social Studies classes.

https://doi.org/10.14746/kse.2019.16.2
PDF (English)

Bibliografia

Achebe Ch. (1958), Things Fall Apart, Everyman’s Library, New York-London-Toronto.

Banks D. (2015), Hip hop as pedagogy: something from something, Theatre Topics vol. 25, no. 3, pp. 243–259.

Belka M.-Ch. (2013), Our real heroes, [in:] A. Viegas (ed.), Caro – Style Magazine. Personal Project Fashion Special by ISOB MYP Students, International School of Bydgoszcz, Bydgoszcz, pp. 14–15.

Boykins A. (2017), Hip-hop Takes the Throne, Passes Rock As Most Consumed Genre in U.S., https://hypebeast.com/2017/7/hip-hop-rock-most-consumed-music-genre-united-states, accessed: 11.02.2018.

Chang J. (2005), Can’t Stop Won’t Stop. A history of the Hip-hop generation, New York.

Coscarelli J. (2018), Kendrick Lamar wins Pulitzer in ‘Big Moment for Hip-hop’, https://www.nytimes.com/2018/04/16/arts/music/kendrick-lamar-pulitzer-prize-damn.html, accessed: 1.05.2018.

Emdin Ch. (2013a), Pursuing the pedagogical potential of the pillars of Hip-hop through science-mindedness, International Journal of Critical Pedagogy vol. 4. no. 3, pp. 83–99.

Emdin Ch. (2013b), The rap cypher, the battle, and reality pedagogy: developing communication and argumentation in urban science education, [in:] M.L. Hill, E. Petchauer (eds.), Schooling Hip-Hop.

Expanding Hip-Hop Based Education Across the Curriculum, New York-London 2013, pp. 11–27.

Emdin Ch. (2017), On innervisions and becoming in urban education: Pentecostal hip-hop pedagogies in the key of life, Review of Education, Pedagogy, and Cultural Studies vol. 39, is. 1, pp.106–119. DOI: https://doi.org/10.1080/10714413.2017.1262170.

Emdin Ch., Adjapong E., Levy I. (2016), Hip-hop based interventions as pedagogy/therapy in STEM: A model from urban science education, Journal for Multicultural Education vol. 10, is. 3, pp. 307–321. DOI: https://doi.org/10.1108/JME-03-2016-0023.

Freire P. (2005), Pedagogy of the Oppressed, New York.

Hall H.B. (2016), ‘Welcome to the shop’: insights and reflections from teaching hip-hop-based spoken word poetry for social justice, English Teaching vol. 15, is. 3, pp. 394–410, DOI: https://doi.org/10.1108/ETPC-03-2016-0044.

Harkness G. (2012), True school: situation authenticity in Chicago’s hip-hop underground, Cultural Sociology vol. 6, is. 3, pp. 283–298.

Harris J.Ch. (2002), The Complete Tales of Uncle Remus, New York.

Hazzard-Donald K. (2013), ‘Mojo Workin’. The Old African American Hoodoo System, Urbana–Chicago–Springfield.

Hill M.L. (2006), Representin(g): Negotiating multiple roles and identities in the field and behind the desk, Qualitative Inquiry vol. 12, is. 5, pp. 926–949. DOI: https://doi.org/10.1177/1077800406288613.

Hill M.L. (2009a), Beats, Rhymes, and Classroom Life. Hip-Hop Pedagogy and the Politics of Identity, New York–London.

Hill M.L. (2009b), Wounded healing: forming a storytelling community in hip-hop lit, Teachers College Record vol. 111, no. 1, pp. 248–293. EJ826004.

Hirsch S., Triller Th. (2014), Individuals & Societies. A Practical Guide. Teacher Book, Hague.

Hurtis Z.N. (2008), Tell my Horse: Voodoo and Life in Haiti and Jamaica, New York.

IB, Approaches to Learning Skills, Inquiry and Service Teacher Support Material, https://ibpublishing.ibo.org/server2/rest/app/tsm.xql?doc=m_0_mypxx_tsm_1412_1_e&part=1&chapter=1, accessed: 16.02.2018.

Irby D.J., Hall H.B. (2013), Fresh faces, new places: moving beyond teacher-researcher perspectives in hip-hop based education research, [in:] M.L. Hill, E. Petchauer (eds.), Schooling Hip-Hop. Expanding Hip-Hop Based Education Across the Curriculum, New York-London, pp. 95–117.

Irby D.J., Hall H.B., Mill M.L. (2013), Schooling teachers, schooling ourselves: Insights and reflections from teaching K-12 teachers how to use hip-hop to educate students, International Journal of Multicultural Education, vol. 15, is. 1.

Jacobs J.S. (1861), A true tale of slavery, The Leisure Hour: A Family Journal of Instruction and Recreation. Feb. 7, 14, 21, and 28, London.

Kline C. (2007). Represent!: Hip-hop and the Self-Aesthetic Relation. Bloomington, IN: https://scholarworks.iu.edu/dspace/bitstream/handle/2022/7659/umi-indiana-1617.pdf;sequence=1, accessed: 17.02.2017.

Kreps D. (2017), See the Roots’ Black Thought Freestyle for 10 Minutes (Rolling Stone), https://www.rollingstone.com/music/news/see-the-roots-black-thought-talk-epic-freestyle-on-fallon-w514180, accessed: 4.02.2018.

Kumar T. (2017), The battle for rap: problems and possibilities in teacher education, Teaching Education, pp. 1–10. DOI: https://doi.org/10.1080/10476210.2017.1377695.

Love B.L. (2012), Hip Hop’s Li’l Sistas speak. Negotiating hip hop identities and politics in the New South, Studies in the Postmodern Theory of Education, vol. 399, New York.

Love B.L. (2014a), “I See Trayvon Martin”: What teachers can learn from the tragic death of a young black male, Urban Review, vol. 46, is. 2, pp. 292–306. DOI: https://doi.org/10.1007/s11256-013-0260-7.

Love B.L. (2014b), Urban storytelling: how storyboarding, moviemaking, and hip-hop-based education can promote students’ critical voice, The English Journal, vol. 103, no. 5, pp. 53–58. DOI: 24484246.

Love B.L. (2015), What is hip-hop based education doing in nice fields like early childhood and elementary education? Urban Education, vol. 50, is. 1, pp. 106–131. DOI: https://doi.org/10.1177/0042085914563182.

Love B.L. (2016), Complex personhood of hip hop & the sensibilities of the culture that fosters knowledge of self & self-determination, Equity and Excellence in Education vol. 49, is. 4, pp. 414–427, DOI: https://doi.org/10.1080/10665684.2016.1227223.

Lynch J. (2018), For The First Time in History, Hip-Hop Has Surpassed Rock To Become The Most Popular Music Genre, According to Nielsen, http://www.businessinsider.com/hip-hop-passes-rockmost-popular-music-genre-nielsen-2018-1?IR=T, accessed: 11.02.2018.

Noble J.M., Hedmann M.G., Williams O. (2016), Improving dementia health literacy using the FLOW Mnemonic: pilot findings from the Old SCHOOL Hip-Hop Program, Health Education and Behavior, vol. 42, is. 1, pp. 73–83. DOI: https://doi.org/10.1177/1090198114537063.

Nowacka P. (2013), 100% dance, [in] A. Viegas (ed.), Caro – Style Magazine. Personal Project Fashion Special by ISOB MYP Students, Bydgoszcz, pp. 6–7.

Ogumefu M.I. (2007), “Yoruba Legends”, Forgotten Books, www.forgottenbooks.org, accessed: 26.02.2018.

Petchauer E. (2009), Framing and reviewing Hip-hop educational research, Review of Educational Research, vol. 79. is. 2, pp. 946–978. DOI: https://doi.org/10.3102/0034654308330967.

Petchauer E. (2012), Hip-Hop Culture in College Students’ Lives. Elements, Embodiment, and Higher Education, New York.

Petchauer E. (2013), I Feel What He Was Doin’: urban teacher development, Hip-hop aesthetics, and justice-oriented teaching, [in:] M.L. Hill, E. Petchauer (eds.), Schooling Hip-Hop. Expanding Hip-Hop Based Education Across the Curriculum, New York-London, pp. 28–46.

Petchauer E. (2015), Starting with style: toward a second wave of Hip-hop education research and practice, Urban Education, vol. 50, is. 16, pp. 78–105. DOI: https://doi.org/10.1177/0042085914563181.

Pulido I. (2009), “Music fit for us minorities”: Latinas/os’ use of hip hop as pedagogy and interpretive framework to negotiate and challenge racism, & Excellence in Education, vol. 42, is. 1, pp. 67–85. DOI: https://doi.org/10.1080/10665680802631253.

Ramirez-Sygutowska V. (2013), Hip-hop: inspiration and transformation, [in:] A. Viegas (ed.), Caro–Style Magazine. Personal Project Fashion Special by ISOB MYP Students, Bydgoszcz, pp. 8–9.

Seidel S. (2011), Hip Hop Genius. Remixing high school education, Lanham–New York–Toronto–Plymouth.

Serrano Sh. (2015), The Rap Year Book: The most important rap song from every year since 1979, discussed, debated, and deconstructed, Harry N. Abrams. E-book

Shillenn C. (2014), Rap, Hip Hop and Slavery, http://blog.umd.edu/musc204/author/cls51092/, accessed: 10.2.2018 (The class blog of MUSC 204, Spring 2014, University of Maryland College Park).

Shor I. (1992), Empowering Education: Critical teaching of social change, Chicago.

Smutny J.F., von Fremd S.E. (2004), Differentiating for the Young Child: Teaching strategies across the content areas (K-3), London.

Söderman J. (2011), Folkbildning through Hip-hop: How the ideals of three rappers parallel a scandinavian educational tradition, Music Education Research vol. 13, is. 2, pp. 211–225. DOI: https://doi.org/10.1080/14613808.2011.577929.

Stovall D. (2013), Hip-hop and the new response to urban renewal: youth, social studies, and the bridge to college, [in:] M.L. Hill, E. Petchauer (eds.), Schooling Hip-Hop: Expanding Hip-hop based education across the curriculum, New York–London, pp. 155–166.

Tinson Ch.M., McBride C. (2013), Hip hop, critical pedagogy, and radical education in time of crisis.radical teacher, A Socialist, Femiialist, Feminist, and Anti-Racist Journal on the Theory and Practice of Teaching, no. 97, https://radicalteacher.library.pitt.edu/ojs/index.php/radicalteacher/article/viewFile/43/30, accessed: 8.02.2018.

Williams O., DeSorbo A., Noble J., Gerin W. (2012a), Child-mediated stroke communication: Findings from Hip Hop stroke. Stroke vol. 43, is. 1, pp. 163–169. DOI: https://doi.org/10.1161/STROKEAHA.111.621029.

Williams O., DeSorbo A., Noble J., Shaffer M., Gerin W. (2012b), Long-term learning of stroke knowledge among children in a high-risk community, Neurology vol. 79, is. 8, pp. 802–806.

Williams O., DeSorbo A., Sawyer V., Apakama D., Shaffer M., Gerin W., Noble J. (2016), Hip Hop HEALS: Pilot study of a culturally targeted calorie label intervention to improve food purchases of children, Health Education and Behavior vol. 43, is. 1, pp. 68–75. DOI: https://doi.org/10.1212/WNL.0b013e3182661f08.

Williams O., Noble J.M. (2008), ‘Hip-Hop’ stroke: A stroke educational program for elementary school children living in a high-risk community, Stroke vol. 39, is. 10, pp. 2808–2816. DOI:https://doi.org/10.1161/STROKEAHA.107.513143.

Wilson J.A. (2013), The MC in Y-O-U: leadership pedagogy and southern hip-hop in the HBCU Classroom, [in:] M.L. Hill, E. Petchauer (eds.), Schooling Hip-Hop. Expanding Hip-hop based education across the curriculum, New York–London, pp. 66–92.

Wood K. (2013), Who’s melting in the suburban Pot? Diversity in the Chicago suburbs, [in:] E. Banka, M. Liwinski, K. Rusilowicz, America Scapes. Americans in/and their diverse sceneries. Studies in Literature and Culture, vol. 9, Lublin, pp. 255–276.

Zatat N. (2017), Harvard Student graduates with Honours after submitting Rap Album as final Year Thesis, http://www.independent.co.uk/arts-entertainment/harvard-student-rap-album-final-year-thesis-passes-second-highest-grade-ivy-league-obasi-shaw-a7747371.html, accessed: 28.01.2018.

Dance studios in Bydgoszcz

Adelante. Studio tańca, http://www.u2e.pl, accessed: 5.02.2018.

Bailamos Dance Studio: Robert Linowski, Carolina Linowska, http://bailamos.pl, accessed: February 5, 2018.

Fabryka Tańca – Studio Tańca, http://www.fabrykatanca.com, accessed: 5.02.2018.

Studio Kreacji Tańca. Nauka tańca. Neumann B.M., http://studiokreacjitanca.pl, accessed: 5.02.2018.

Studio Tańca Dance Academy Agata Szybiak-Loukini, Radosław Gołata, http://taniec-bydgoszcz.pl, accessed: 5.02.2018.

Szkoła Tańca “Bohema”, http://www.szkolabohema.pl, accessed: 5.02.2018.

Up2Excellence Studio Tańca Bydgoszcz, http://www.u2e.pl, accessed: 5.02.2018.

Documentary

Wheeler D. (2016), Hip Hop Evolution, Banger Films.

Graffiti creator (online)

Graffiti Creator. The Original, http://www.graffiticreator.net, accessed: 5.02.2018.

Hip-hop songs

Black Star, Thieves in the Night, https://open.spotify.com/track/7prM6PuZ5psmHNKhpznKbP, accessed: 5.02.2018.

Janiec J. (2018a, under a nickname: MC Odd Worker), Accessus, https://youtu.be/A7yoaxaXYmQ, accessed: 1.03.2018.

Janiec J. (2018b, under a nickname: MC Odd Worker), Hoodoo, https://youtu.be/imHszCGgJu8 , accessed: 1.03.2018.

Janiec J. (2018c, under a nickname: MC Odd Worker), Mr. Trust & Mrs. Honesty, https://youtu.be/U4qDnLi_Dio , accessed: 1.03.2018.

Janiec J. (2018d, under a nickname: MC Odd Worker), Novo, https://youtu.be/YncduS3dCdA, accessed: 1.03.2018.

Janiec J. (2018e, under a nickname: MC Odd Worker), Stylo Theory, https://youtu.be/DQygkIVvyz4, accessed: 5.03.2018.

Lemar K., The Vanity Slave, https://open.spotify.com/track/72uNhnLDiUV8TAJWDuSMbX, accessed: 8.02.2018.

Nas, Ni**er (The Slave and the Master), https://open.spotify.com/track/2k1EyoBJz7R65davb8zZ9W, accessed: 8.02.2018.

Obasi, Liminal Minds, https://www.youtube.com/watch?v=pMjrQ8_vPHw, published on: May 28, 2017; accessed: 28.01.2018.

Pusha T, The Dream, 40 Arces, https://open.spotify.com/track/2B6NMtdXWY2W76tZulV3v4, accessed: 8.02.2018.

Library

Harvard Library, Catalogue, http://library.harvard.edu, accessed: 18.02.2018.

Survey

Janiec J. (2018f), Hip-Hop: Pick up the majority’s Speech, http://www.smartsurvey.co.uk/s/0E2QT/, accessed: 1.02.2018.