Elements of the Formal Procedures in Zaum Poetic Experiment

Main Article Content

Amra Latifić

Abstract

The paper analyzes the elements and strategies of Russian formalism applied to the Russian avantgarde zaum poetic experiment of Alexei Kruchenykh and Viktor Khlebnikov. In futuristic tendencies to create a trans-rational language or zaum language lies the idea of a new voice, sounds and semantic meaning. According to Russian poets the new semantic meaning of the word is obtained only in the process of performing a poem. Also, according to Russian formalism, sound of poem, in the performing process, has its own independent meaning. In this sense zaum experiment in its printed form does not possess a fixed resolution of meanings, but only has potential of meanings. The function of fixed forms, that during the process of performing is to form a new movable semantic meaning.

Downloads

Download data is not yet available.

Article Details

How to Cite
Latifić, A. (2018). Elements of the Formal Procedures in Zaum Poetic Experiment. Poznańskie Studia Slawistyczne, (13), 81–94. https://doi.org/10.14746/pss.2017.13.5
Section
LITERATURA

References

  1. Bobrinskai︠a︡, E. (2003). Futurizm. Moskva: Galart.
  2. Bobrinskai︠a︡, E. (2003)., Russkiĭ avangard : istoki i metamorfozy. Moskva: Pjataja strana.
  3. Đurić, D.( 2002). Jezik, poezija, postmodernizam: jezička poezija u kontekstu moderne i postmoderne američke poezije. Novi Beograd: Oktoih.
  4. Ejhenbaum, B. (1972). Književnost. Prev. M. Bojić. Beograd: Nolit.
  5. Flaker, A. (1984). Ruska avanagarda. Zagreb: Sveučilišna naklada Liber/Globus.
  6. Flaker, A. (1988). Nomadi ljepote. Intermedijalne studije. Zagreb: Grafički zavod Hrvatske.
  7. Golubović, V. (1985). Zenit/ruska avangarda. U: Pojmovnik ruske avangarde. Prir. A. Flaker, D. Ugrešić. Sv. IV. Zagreb: Grafički zavod Hrvatske, str. 163–174.
  8. Hlebnjikov, V. (1964). Kralj vremena Velimir I. Prev. V. Nikolić, B. Ćosić i M. Nikolić. Beograd: Prosveta.
  9. Ivanov, V. (2003). Hlebnjikov i nauka. Prev. R. Mečanin. Beograd: Narodna knjiga/Alfa.
  10. Kotovič, T.V. (2003). Ènciklopedija russkogo avangarda. Minsk: Èkonompress.
  11. Kruchenykh, A. (2001). Stihotvorenija. Poemy. Romany.Opera. Sankt-Peterburg: Gumanitarnoe Agentsvo/Akademicheskii proekt.
  12. Latifić, A. (2008). Paradigme ruske avangardne i postmoderne umetnosti. Beograd: Čigoja štampa i Fakultet dramskih umetnosti.
  13. Markov, V. (1968). Russian Futurism: A History. Berkeley–Los Angeles: University of California Press.
  14. Mijušković, S., (prir.). (2003). Dokumenti za razumevanje ruske avangarde. Antologija tekstova umetnika. Beograd: Geopoetika.
  15. Nilsson, N.A. (1990). Velimir Hlebnjikov: „Zoo”. U: Pojmovnik ruske avangarde. Prir. A. Flaker, D. Ugrešić. Sv. VIII. Prev. M. Varga, Zagreb: Grafički zavod Hrvatske, str. 215–226.
  16. Oraić, D. (1985). Zangezi Velimira Hlebnjikova. U: „Književna reč”, br. 266, 10.11., str. 19.
  17. Poli͡a︡kov, V. (1998). Knigi russkogo kubofuturizma. Moskva: Gilea.
  18. Solivetti, C. (1985). „Azbuka uma” Velimira Hlebnjikova. U: Pojmovnik ruske avangarde. Prir. A. Flaker, D. Ugrešić. Sv. III. Prev. E. Ratković. Zagreb: Grafički zavod Hrvatske, str. 223–233.
  19. Šklovski, V. (1985), Energija zablude. Knjiga o sižeu. Prev. Ž. Đukić. Beograd: Prosveta.
  20. Ziegler, R. (1985). Kručonih, Aleksej. U: Pojmovnik ruske avangarde. Prir. A. Flaker, D. Ugrešić. Sv. III. Prev. E. Ratković. Zagreb: Grafički zavod Hrvatske, str. 187–198.