Keywords
Matoš
Poe
rhetorical figures
paregmenon
How to Cite
Abstract
Rethinking conditions of revolutionary potential of literature, with special regard to ways literature incessantly has re-examined otherness in language, in this paper we have chosen to focus on specific mechanism of illusion-making, i.e. anamorphosis taken both as a technique and a theme. Since one of the most famous elaboration of anamorphosis in literature is to be found in Poe’s stories, it is worthwhile to examine how Poe’s game of hide and seek with depth and surface is reflected in his devoted Croatian reader and interpreter A.G. Matos. In a comparative analysis of Poe’s and Matos’s stories, we will elaborate on how a procedure of naming and a procedure of signifying are revealed to be mere effects of anamorphosis in Matos’s short story “Miš” (The Mouse). Since it is an embodiment of a figure designating schism and split, the rodent from the title of Matos’s short story reveals the other side of thinking, which is no other than the other within.
Funding
Croatian Science Foundation
References
Baltrusaitis, J. (1977). Anamorphic Art. Trans. W.J. Strachan. Cambridge: Chadwyck–Healey.
Bašić, S. (1970). A.G. Matoš prema E.A. Poeu. In: Hrvatska književnost prema evropskim književnostima. Eds. A. Flaker, K. Pranjić. Zagreb: Liber, pp. 393–412.
Bašić, S. (1986). E.A. Po, junak našeg doba. In: Poe, Grad u moru. Zagreb: NZMH, pp. 346–362.
Benčić, Ž. (1991). Barok i avangarda: studije. Zagreb: Hrvatski zavod za znanost o književnosti Filozofskog fakulteta u Zagreb.
Brlek, T. (2020). Čitanje Kafke ili perpetuum mobile. In: Kafka. U prilog minornoj književnosti. Trans. U.Vlaisavljević. Zagreb: Matica hrvatska, pp. 151–164.
Cantalupo, B. (2005). Poe’s Visual Tricks. “Poe Studies,” vol. 38, no. 1, pp. 53–63. DOI: https://doi.org/10.1111/j.1754-6095.2005.tb00169.x
Dolar, M. (2015). Anamorphosis. „S: Journal of the Circle for Lacanian Ideology Critique,” vol. 8, pp. 125–140.
Flaker, A. (1988). Nomadi ljepote: intermedijalne studije. Zagreb: Grafički zavod Hrvatske
Guattari, F., Deleuze, G. (1986). Kafka. Toward a Minor Literature. Trans. D. Polan. London: University of Minnesota Press.
Hocke, G.R. (1991). Svijet kao labirint. Trans. Nadežda Čačinović-Puhovski. Zagreb: Biblioteka August Cesarec.
Jukić, T. (2012). Matošev loboratorij: rad, goli život i tumačenje snova. In: Prostori snova. Oniričko kao poetološki i antropološki problem. Eds. Ž. Benčić, D. Fališevac. Zagreb: Disput, pp. 339–361.
Lacan, J. (2006). Écrits. Trans. B. Fink. New York–London: W.W. Norton & Company.
Matoš, A.G. (1953). Miš. In: Sabrana djela A. G. Matoša. Vol. 1. Ed. D. Tadijanović, M. Matković. Zagreb: JAZU.
Matoš, G. Antun. (1973). Dojmovi. Ogledi. Sabrana djela A. G. Matoša, vol. 3. Ed. by D. Tadijanović. Zagreb: JAZU–Liber–Mladost.
Oraić Tolić, D. (1980). Pejzaž u djelu A. G. Matoša. Zagreb: Nakladni zavod Matice hrvatske.
Petlevski, S. (2015). Matoševa simptomatologija moderniteta: modernizam, bodelerizam, dekadencija. In: Matoš u Parizu. Ed. Y.Vrhovac. Zagreb: FF–press, pp. 67–82.
Poe, E.A. (2001). The Works of Edgar Allan Poe in Five Volumes. Vol. 3. The Pennsylvania State University, Electronic Classics Series.
Poe, E.A. (2005). Collected Works of Poe. Vol. 1. Webster’s Thesaurus Edition. San Diego: ICON Group International.
Rabelais, F. (2012). Gargantua and Pantagruel. Trans. T.Urquhart, P. Motteux. Chicago: University of Chicago.
Slabinac, G. (1988). Hrvatska književna avangarda. Zagreb: ITRO August Cesarec.
Smolčić, I. (2019). Usporedna analiza proze Edgara Allana Poea i Antuna Gustava Matoša na primjeru novela Crni mačak i Miš. “Hum,” vol. XVI, no. 21, pp. 263–277. DOI: https://doi.org/10.47960/2303-7431.21.2019.263
Todorov, T. (2018). Trijumf umjetnika: revolucija i umjetnici. Rusija od 1917 do 1941. Trans. U. Burger. Zagreb: TIM press.
License
Copyright (c) 2023 Andrea Milanko, Ana Tomljenović
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors
The authors of the articles accepted for publication in the journal Poznańskie Studia Slawistyczne are obliged to fill up the contract for providing the journal free licence (along with sub-licence CC) to works. The contract should be also signed by the authors and sent back to the editorial board of the journal.
Under the terms of the contract, the authors of the texts published in the journal “Poznańskie Studia Slawistyczne” provide the University of Adam Mickiewicz in Poznań with a non-exclusive free licence and allow the aforementioned institution to use the sub-licence Creative Commons Attribution-NoDerivatives 4.0 International (CC BY-ND 4.0).
The authors hold the copyright for their texts.
Users
The Internet users are eligible for using the works published in “Poznańskie Studia Slawistyczne” from 2015 under the following conditions:
- recognition of the authorship: the popularized work must contain information about the author, title, source (references to the original work, DOI) and licence.
- no derivative works may be created: the work must be preserved in its original form, the work’s translations or elaborations cannot be distributed without the author’s permission.
The copyright to the texts published before 2015 is reserved.
Other
The University of Adam Mickiewicz in Poznań holds the right for the entire journal (its segmentation, graphical form, title, cover design, logo, etc.).