Is There the Holocaust without a Film Music? Analyzing a Croatian and a Serbian Film about the Holocaust
Main Article Content
Abstract
Downloads
Article Details

This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors
The authors of the articles accepted for publication in the journal Poznańskie Studia Slawistyczne are obliged to fill up the contract for providing the journal free licence (along with sub-licence CC) to works. The contract should be also signed by the authors and sent back to the editorial board of the journal.
Under the terms of the contract, the authors of the texts published in the journal Poznańskie Studia Slawistyczne provide the University of Adam Mickiewicz in Poznań with a non-exclusive free licence and allow the aforementioned institution to use the sub-licence Creative Commons Attribution 4.0 International License (CC BY). (under 10.2020: Attribution-NoDerivatives 4.0 International CC BY-ND 4.0).
Users
The Internet users are eligible for using the works published in Poznańskie Studia Slawistyczne from 2015 under the following conditions:
- recognition of the authorship: the popularized work must contain information about the author, title, source (references to the original work, DOI) and licence.
The copyright to the texts published before 2015 is reserved.
Other
The University of Adam Mickiewicz in Poznań holds the right for the entire journal (its segmentation, graphical form, title, cover design, logo, etc.).
References
- Agamben G., 2010. Vrijeme što ostaje: komentar uz Poslanicu Rimljanima, prev. M. Kopić, Zagreb.
- Asman A. [Assmann Aleida], 2011, Duga senka prošlosti, prev. D. Gojković, Beograd.
- Badurina N., 2010, Vrijeme traume, vrijeme svjedočenja. Testimonijalna literatura i književni kanon tijekom dvadesetog stoljeća, u: Komparativna povijest hrvatske književnosti. Zbornik radova XII. Istodobnost raznodobnog. Tekst i povijesni ritmovi, ur. C. Pavlović, V. Glunčić-Bužančić, A. Meyer-Fraatz, Split–Zagreb, str. 189–201.
- Banović S., 2012, Država i njezino kazalište. Hrvatsko državno kazalište u Zagrebu 1941.–1945, Zagreb.
- Domaš J. (ur.), 2015, Glasovi, sjećanja, život: prilog istraživanju povijesti židovskih obitelji, Zagreb.
- Ewen S., Dery M., 2004, Reklame za posljednju generaciju, prev. L. Furlan, „Libra libera” br. 14, str. 35–40.
- Felman S., Laub D., 1992, Testimony. Crises of Witnessing in Literature, Psychoanalysis, and History, New York–London.
- Friedlander S. (ur.), 1992, Probing the Limits of Representation, Cambridge–Mass– –London.
- Goldstein I., Goldstein S., 2001, Holokaust u Zagrebu, Zagreb. Goldstein S., Goldstein I., 2011, Jasenovac i Bleiburg nisu isto, Zagreb.
- Grlić E., 1997, Sjećanja, Zagreb.
- Haltof M., 2012, Polish Film and the Holocaust: Politics and Memory, Oxford–New York.
- Hicks J., 2012, Soviet Cinema and the Genocide of the Jews, 1938–1946, Pittsburgh.
- Hirsch M., 2012, The Generation of Postmemory: Writing and Visual Culture After the Holocaust, New York.
- Ivanji I., 2013, Naše smrti i vaš život, „Vreme”, 13.09., , 15.02.2016.
- Jakovljević I., 1999, Konclogor na Savi, Zagreb.
- Jambrešić Kirin R., 2007, Šalje Tito svoje na ljetovanje!: ženska trauma i arhipelag Goli, „Treća: časopis Centra za ženske studije” br. 9/1, str. 9–38.
- Jergović M., 2012, Čestitije se u hrvatskoj kulturi o holokaustu nije govorilo, , 15.01.2016.
- LaCapra D., 2001, Writing History, Writing Trauma, Baltimore. Levi P., 1993, Zar je to čovjek?, prev. T. Klarić, Zagreb.
- Levi P., 2009, Raspad Jugoslavije na filmu: estetika i ideologija u jugoslavenskom i postjugoslavenskom filmu, prev. A. Grbić, S. Glišić, Beograd.
- Ličanin A., 2015, Dvije ljubavi i jedan rat Eve Panić Nahir, Čakovec.
- Logan W., Reeves K. (ur.), 2009, Places of Pain and Shame: Dealing with “Difficult Heritage”, London–New York.
- Miller E., 2004, Izabran za umiranje, Zagreb.
- Neufeld E., 2000, Svjedočanstvo preživjelog, „Novi Omanut”, str. 42–43.
- Ožegović N., 2006, Priča o Lei Deutsch: Film o tragičnom usudu dječje zvijezde, „Nacional” br. 565, 11.09., 15.12.2015.
- Pal A., 2011, Gorući grm: Alfred Pal – život i djelo, prir. B. Žižić, Zagreb.
- Pavičić J., 2011, Postjugoslavenski film: stil i ideologija, Zagreb.
- Poirier A., 2013, Claude Lanzmann returns to the Holocaust „The Guardian”, 14.05., , 17.02.2016.
- Radić D., 2012, Život u NDH, „Novosti” br. 632, 11.02., , 25.02.2016.
- Schreiner P., 2014, Spašeni iz Zagreba: sjećanja troje preživjelih srodnika na hrvatski Holokaust, prev. S. Glavaš, Zagreb.
- Sontag S., 1975, Fascinating Fascism, „New York Review of Books” 6.02., 5.02.2016.
- Sontag S., 2005, Prizori tuđeg stradanja, prev. B. Jakovlev, Zagreb.
- Taczyńska K., 2014, Diskurs o logoru Goli otok – ženska perspektiva, „Knjiženstvo: časopis za studije književnosti, roda i kulture”, br. 4, , 23.09.2016.
- Wlodarski A.L., 2015, Musical Witness and Holocaust Representation, Cambridge.
- https://doi.org/10.1017/CBO9781316337400