Published: 2017-09-21

Postmodernity and the Shoah. The Reception of Works about Shoah in Middle and South Europe

Agata Firlej, Krystyna Pieniążek-Marković

11-13

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Postcatastrophic Re-Reading of Tadeusz Hołuj’s Puste pole

Katarzyna Adamczak

17-28

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Yelling into the Silence and its Echos. Czech Shoah Poetry Written till 1960s and its Reception

Štěpán Balík

29-45

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Milo Urban’s Journalist Writing and Memoirs on the Theme of the Holocaust (in Slovak literature)

Karol Csiba

47-60

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Helplessness of Words. Ante Kesić’s “Fiction” on the Holocaust

Maciej Czerwiński

61-77

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From Report to Mythus. Jiří Kolář’s Plays as Creative Transformation of the Shoah Testimonies

Agata Firlej

79-91

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“Abandoned Secrets”. The Question of the Holocaust Narratives in Ukrainian Literature

Anja Golebiowski

93-105

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Returns from Concentration Camps

Martina Halamová

107-121

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The Second World War in Polish Cinema. Recent Filmic Approaches and the Reception in Poland and Germany

Elisa-Maria Hiemer

123-138

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The Shoah in Poland in the Work of Jiří Weil: Translations and Literary Reference*

Hana Hříbková

139-151

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Forgotten Prosaic Works (Forming a Literary Image of the Holocaust in Slovak Literature of the 1940s and 1950s)

Dana Hučková

153-166

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Art in the Holocaust: On Josef Bor’s Novella Terezínské rekviem and its Reception

Reinhard Ibler

167-179

PDF (Deutsch)

Is There the Holocaust without a Film Music? Analyzing a Croatian and a Serbian Film about the Holocaust

Renata Jambrešić Kirin

181-195

PDF (Hrvatski)

The Holocaust in Slovak Drama

Dagmar Kročanová

197-210

PDF (Język Polski)

The Review of the Psychoanalytic Approaches to the Holocaust, on the Example of the Ninth Circle Interpretation

Željka Matijašević

211-224

PDF (Hrvatski)

The Holocausts

Arkadiusz Morawiec

225-239

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House of Memories and Oblivion by Filip David: Literature, Memory and Death

Časlav V. Nikolić

241-258

PDF (Język Polski)

The Holocaust – the Border of Pragmatic Language

Zora Prušková

259-270

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Reenacting the Past. An Essay on Götz and Meyer by David Albahari

Urszula Putyńska

271-282

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The Walpurgis Night): A New Variation on the Theme of the Holocaust. Several Suggestions as for the Future Reception of the Film

Anna Maria Skibska

283-297

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Postmodern Erasing of the Shoah [Raymond Federman, Georges Perec, Anatol Ulman]

Marta Tomczok

299-315

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ESSAY

Bitter Cinema. On Occupation in 26 Pictures by Lordan Zafranović

Marek Hendrykowski

319-329

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“Prosthetic” Memory, “Aftersights” of Memory, Memory “Easy to Consume”? A Few Words About Visual Remembrance of the Holocaust

Urszula Kowalska

331-345

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„The Ghetto without Walls” – from the Social Exclusion to Terezín

Joanna Brodniewicz

349-355

PDF (Język Polski)

From the Research on Jewish Motifs towards new Literary Studies

Agata Firlej

357-362

PDF (Język Polski)

Two Theatres. Describing the Non-existing Matters

Agata Firlej

363-369

PDF (Język Polski)

Conventions of Radka Denemarková’s Novel Peníze od Hitlera (Money from Hitler) along with its Reception

Jiří Holý

371-379

PDF (Język Polski)

Fenomenology of Evil. Bosnian-Herzegovinian Context

Marinko Zekić

381-389

PDF (Język Polski)

Lyrical and Musical Correspondances in Josip Sever’s Output

Zdzisław Darasz

393-398

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Cultural Heritage in the Balkans. Between Eastern Orthodox Church and Islam

Małgorzata Dębowczyk

399-406

PDF (Język Polski)