Keywords
totalitarianism
genocide
poetics of experience
aesthetics of shock
oblivion
memory
How to Cite
Abstract
Analysis and interpretation of the film fresque made by Croatian director Lordan Zafranović (1978), a masterpiece of European art cinema of 70s. Marek Hendrykowski’s study describes relationship between poetics of experience and aesthetics of shock. It also expresses the importance of mythical perspective (Babel Tower) and its meaning as the factor of common consciousness in keeping memory of the past in art and life of contemporary societies.References
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Horoszczak A. (oprac.), 1979, Lordan Zafranović: wypowiedź opublikowana w materiałach XXV Festiwalu Filmów Jugosłowiańskich w Puli, „Filmowy Serwis Prasowy” nr 12, s. 17–18.
Jergović M., 2016, Wilimowski, przeł. M. Petryńska, Warszawa.
Oakeshott M., 1999, Wieża Babel i inne eseje, przeł. A. Lipszyc, Ł. Sommer, M. Szczubiałka, Warszawa.
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Ricoeur P., 2012, Pamięć, historia, zapomnienie, przeł. J. Margański, Warszawa.
Nycz R., 2012, Poetyka doświadczenia. Teoria – nowoczesność – literatura, Warszawa.
Pająk P., 2013, Zmierzch bogów, „Poznańskie Studia Slawistyczne” nr 5, s. 185–201.
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