Abstract
There are analysed in the article writings of the Ukrainian poet Borys Necherda (1939-1998). He was the original writer of the generation of 1960th and made brave experiments with the artistic word. Necherda as an author balanced between the official literature and the literature of the underground. There are a lot of unconventional features in his poems such as colloquial vocabulary, elements of slang, journalism, mixing of discourses and various means of rhetoric. That was a reason that Necherda’s writings were not appreciated during his life. Only nowadays after the poet’s death we have the possibility to re-read it from new points of view. This writings evidence a process of vanguard experimenting. In an original way they present a local peculiarity of a place: the poet become the voice of the „Odessa beaumond”, choosing masks for his lyrical subject.
References
Andruhovyč, Û. (1999). Naprykíncí nedol’otu. „Den’” 23 lûtoho, № 33. http://www.poetryclub.com.ua/metps.php?id=54&type=critiques, 29.10.2019.
B˝lgarski poetičeski avangard. Antologiâ / Bolgars’kyj poetyčnyj avangard.
Antologíâ. (2018). Sofiâ: YC „Boân Penev”. Girin, Û. N. (red.) (2010). Avangard v kul’ture XX veka (1900–1930 gg.): Teoriâ. Istoriâ. Poètika. Kn. 1. Moskva: IMLI RAN.
Grojs, B. (1993). Utopiâ i obmen. Moskva: Znak.
Hundorova, T. (2004). Šístdesâtnyctvo: metafora, ím’â, dím. V: M. Kocûbyns’ka. Moї obríї. T. 1. Kyїv: Duh í Lítera.
Kas’ânov, G. (1995). Nezgodní: ukraїns’ka íntelígencíâ v rusí oporu 1960–1980-h rr. Kyїv: Lybíd’. Literaturnyj avangard na lingvističeskih povorotah. (2018). Seriâ „Avant-garde” vyp. 15. Sankt-Peterburg: izd-vo Evropejskogo universiteta v Sankt-Peterburge.
Mêdníkova, H. S. (2002). Ukraїns’kyj anderhraund (mystectvo 60-h – počatku 80-h rokív). V: Ukraїns’ka í zarubížna kul’tura XX stolíttâ. Kyїv: Znannâ. Mihajl’ Semenko i ukrainskij panfuturizm. Manifesty. Mistifikacii. Stat’i. Lirika.
Videopoèziâ. (2016). Seriâ „Avant-garde” vyp. 9. Sankt-Peterburg: izd-vo Evropejskogo universiteta v Sankt-Peterburge.
Nečerda, B. (1991). Vybrane. Kyїv: Dnípro.
Slabošpyc’kyj, M. (2004). Vybír Borysa Nečerdy. V: B. Nečerda. Vybraní tvory. Odesa: Maâk.
Stepanov, N. (2001). „Ostannâ knyha” Borysa Nečerdy. „Derybasovskaâ – Ryšel’evskaâ. Literaturno-hudožestvennyj, istoričesko-kraevedčeskij istoričeskij al’manah”, vyp. 3 (6), s. 390–396.
Sverstûk, Ê. (1993). Bludní syny Ukraїny. Kyїv: Znannâ.
Tanûk, L. (2004). Líníâ žyttâ (Z ŝodennykív), t. 1: 1964–1970. Harkív: Folío.
Tarnašyns’ka, L. (2010). Ukraїns’ke šístdesâtnyctvo: profílí na tlí pokolínnâ (ístoryko-líteraturnyj ta poetykal’nyj aspekty). Kyїv: Smoloskyp.
Transatlantičeskij avangard. Anglo-amerikanskie literaturnye dviženiâ (1910–1940). Programmnye dokumenty i teksty. (2018). Seriâ „Avant-garde” vyp 13. Sankt-Peterburg: izd-vo Evropejskogo universiteta v Sankt-Peterburge.
Ukraїns’kyj poetyčnyj avangard. Antologíâ / Ukrainski poetičeski avangard. Antologiâ. (2018). Sofiâ: YC „Boân Penev”.
Voronkov, V. M. (2005). Proekt „šestidesâtnikov”: dviženie protesta v SSSR. V: Otcy i deti: pokolenčeskij analiz sovremennoj Rossii. Sost. Û. Levada, T. Šanyn. Moskva: Levada-Centr, s. 168–200.
Žylenko, Í. (2011). Homo feríens: spohady. Kyїv: Smoloskyp.
Głowiński, M. (1992). Rytuał i demagogia. Warszawa: OPEN, 1992.
Goffman, E. (1981). Człowiek w teatrze życia codziennego. Tłum. H. i P. Śpiewakowie, wstęp i oprac. J. Szacki. Warszawa: PWN.
Możejko, E. (2001). Realizm socjalistyczny. Teoria. Rozwój. Upadek. Kraków: Universitas.
Stephens, P. (2015). The Poetics of Information Overload: From Gertrude Stein to Conceptual Writing. Minneapolis: University of Minnesota Press.
License
Authors
The authors of the articles accepted for publication in the journal Poznańskie Studia Slawistyczne are obliged to fill up the contract for providing the journal free licence (along with sub-licence CC) to works. The contract should be also signed by the authors and sent back to the editorial board of the journal.
Under the terms of the contract, the authors of the texts published in the journal “Poznańskie Studia Slawistyczne” provide the University of Adam Mickiewicz in Poznań with a non-exclusive free licence and allow the aforementioned institution to use the sub-licence Creative Commons Attribution-NoDerivatives 4.0 International (CC BY-ND 4.0).
The authors hold the copyright for their texts.
Users
The Internet users are eligible for using the works published in “Poznańskie Studia Slawistyczne” from 2015 under the following conditions:
- recognition of the authorship: the popularized work must contain information about the author, title, source (references to the original work, DOI) and licence.
- no derivative works may be created: the work must be preserved in its original form, the work’s translations or elaborations cannot be distributed without the author’s permission.
The copyright to the texts published before 2015 is reserved.
Other
The University of Adam Mickiewicz in Poznań holds the right for the entire journal (its segmentation, graphical form, title, cover design, logo, etc.).