Keywords
contemporary Slovak drama
Juraj Váh
Peter Karvaš
Viliam Klimáček
Anna Grusková
dramatic characters
dramatic conflict
How to Cite
Abstract
The article discusses several Slovak plays with the theme of the Holocaust; namely Ticho (Silence) by Juraj Váh, Holokaust (Holocaust) by Viliam Klimáček, and Rabínka (The Woman Rabbi) by Anna Grusková. It also briefly refers to Návrat do života (Return to Life) and Antigona a tí druhí (Antigone and Those Others) by Peter Karvaš, both mediating traumas from concentration camps. Two plays (Ticho and Návrat do života) were written and staged immediately after the Second World War. Karvaš’s Antigona is a rare occurrence of the theme in Slovak drama during the Communism (in the early 1960s), whereas Klimáček’s and Grusková’s plays are recent, both staged in 2012. The article focuses on several aspects of these five plays: on dramatic characters representing “victims”, “witnesses” and “culprits” (Panas, quoted in Gawliński 2007: 19); on references about and/or representation of the Holocaust in dramatic texts; and on the type of the conflict(s) in the plays. It also mentions specific approaches of respective authors when dealing with the theme of the Holocaust, as well as with the relevance of their reflection of the theme for Slovak society in respective periods.References
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Gawliński S., 2007, The Discourse of the Holocaust. Problems of the Literary Communication, in: Holokaust – Šoa – Zagłada v české, slovenské a polské literatuře, ed. J. Holý, Praha, pp. 19–27. Grusková A., 2008,
Rabínka, in: A. Grusková, Dráma 2006, Bratislava, pp. 61–81.
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