Bibliografia
Adamczyk-Garbowska, M., Ruta, M. (2011). Od kultury żydowskiej do kultury o Żydach. In: Następstwa zagłady Żydów. Polska 1944–2010. Eds. F. Tych, M. Adamczyk-Garbowska. Lublin: Wydawnictwo UMCS, pp. 715–732.
Axelrod, T. (2020). Munich bans display of yellow stars at coronavirus lockdown protests. “The Times of Israel”. https://tinyurl.com/yxtr68dd, 20.07.2023.
Boswell, M. (2011). Holocaust impiety in literature, popular music and film. Springer: Palgrave Macmillan.
Cherry, E. (2010). Shifting Symbolic Boundaries: Cultural Strategies of the Animal Rights Movement. “Sociological Forum”. No. 3, pp. 450–475.
Chutnik, S. (2022). Holo-polo, or the sweet tales of the Holocaust. “Analecta Política,” no. 12, pp. 9–10.
Czollek, M. (2018). Desintegriert Euch!. München: Hanser. Demsky, J. (ed.) (2021). Nazi and Holocaust Representations in Anglo-American Popular Culture, 1945–2020. Cham: Palgrave Macmillan.
Engelking L., (2007). Laleczki na sprzedaż. Zabawa w Holokaust i handel Holokaustem. In: Holokaust – Šoa – Zagłada v české, slovenské a polské literatuře. Ed. J. Holý. Praha: Academia, pp. 79–94.
Gorelik, L. (2012). „Sie können aber gut Deutsch!“ Warum ich nicht mehr dankbar sein will, dass ich hier leben darf, und Toleranz nicht weiterhilft, München: Pantheon Verlag.
Grjasnowa, O. (2012). Der Russe ist einer, der Birken liebt. Roman. München: Carl Hanser Verlag.
Gruber R.E. (2002). Virtually Jewish. Reinventing Jewish culture in Europe. Berkeley: University of California Press, 2002.
Hiemer, E.-M. (2020). Zwischen (selbst)bewusster Desintegration und multipler Ausgrenzung: Junge jüdische Literatur aus Polen und Deutschland. In: apropos. Perspektiven auf die Romania. No. 5, pp. 71–78.
Hiemer, E.-M. (2023). Shaping the Future by Reconstructing the Past. Polish-Jewish Autobiographic Writings beyond the Holocaust. In: Voicing Memories, Resurfacing Identities: Studies in the Twenty-First Century Literatures of Eastern and East-Central Europe. Eds. A.Konarzewska, A. Nakai. Wilmington–Delaware: Vernon Press, pp. 118–120.
Hiemer, E.-M., Holý, J., Firlej, A., Nichtburgerová, H. (2021). Introduction. In: Handbook of Polish, Czech, and Slovak Holocaust Fiction. Works and Contexts. Berlin– Boston: De Gruyter, p. 2. Holý, J. (2018). Arnošt Lustig a ti druzí. “Bohemica litteraria,” vol. 21, no. 1, pp. 101– 112.
Kaminier, W. (2004). Russendisko. München: Goldmann.
Kansteiner, W. (2017). The Holocaust in the 21st century. Digital anxiety, transnational cosmopolitanism, and never again genocide without memory. In: Digital Memory Studies. Media Pasts in Transition. Ed. A. Hoskins. New York: Routledge.
Kołpak, K. (2023). Poland’s False Symmetry: How Szczepan Twardoch’s Jakub Szapiro Knocks Out the Myth of Polish-Jewish Conflict. In: Voicing Memories, Unearthing Identities: Studies in the Twenty-First-Century Literatures of Eastern and East-Central Europe. Eds. A.Konarzewska, A. Nakai. Wilmington–Delaware: Vernon Press, pp. 65–89.
Mintz, A.L. (2001). Popular Culture and the Shaping of Holocaust Memory in America. University of Washington Press.
Morawiec, A. (2018). Literatura polska wobec ludobójstwa, Łódź: Wydawnictwo Uniwersytetu Łódzkiego.
Pető, A. (2019). Non-Remembering the Holocaust in Hungary and Poland. “Polin Studies in Polish Jewry,” vol. 31, pp. 471–480. Project MUSE https://muse.jhu.edu/article/713514.
Pfanzelter, E. (2015). At the crossroads with public history: mediating the Holocaust on the Internet. “Holocaust Studies,” vol. 21, no. 4, pp 250–271.
Steir-Livny, L. (2017). Is it OK to Laugh About it? Holocaust Humour, Satire and Parody in Israeli Culture. Vallentine Mitchell.
Stratton, J. (2008). Punk, Jews, and the Holocaust: The English Story. In: Jewish Identity in Western Pop Culture. New York: Palgrave Macmillan.
Tomczok, M. (2017). Czyja dzisiaj jest Zagłada? Retoryka – ideologia – popkultura. Warszawa: IBL PAN.
Licencja
Prawa autorskie (c) 2023 Elisa-Maria Heimer, Urszula Kowalska-Nadolna
Utwór dostępny jest na licencji Creative Commons Uznanie autorstwa 4.0 Międzynarodowe.