No. 24 (2023): PopHolocaust(s)?
PopHolocaust(s)?

PopHolocaust(s)?

Agata Firlej
27–41
Ambivalence as an Attempt to Regain Authenticity in the Shoah Representation. The Example of Arnošt Goldflam
https://doi.org/10.14746/pss.2023.24.1
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Sabina Giergiel
43-63
The Subversive Potential of Laughter in Hinko Gottlieb’s Ključ od velikih vrata [The Key to the Great Gate]
https://doi.org/10.14746/pss.2023.24.2
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Reinhard Ibler
65–83
The Holocaust between Pop Literature and High Literature: Maxim Biller’s Inside the Head of Bruno Schulz
https://doi.org/10.14746/pss.2023.24.3
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Marek Kaźmierczak
85–115
The “Archaeology” of Popular Culture: Common Sense and the Past
https://doi.org/10.14746/pss.2023.24.4
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Marzanna Kuczyńska
117–129
Between Freedom and Imprisonment. The Shanghai Ghetto from the Perspective of the Bulgarian Writer Angel Wagenstein
https://doi.org/10.14746/pss.2023.24.5
PDF (Język Polski)
Zuzana Mojžišová
131–151
The Past in the (Lost) Memory of the Roma
https://doi.org/10.14746/pss.2023.24.6
PDF (Slovenščina)
Tomasz Łukasz Nowak
153-183
Greetings from Spinalonga! The Island of Silence in social photo and the culture of memory on Instagram
https://doi.org/10.14746/pss.2023.24.7
PDF (Język Polski) PDF_supl. (Język Polski)
Andreas Ohme
185–208
Takis Würger’sNovel Stella (2019)—Holocaust Literature of aNew Generation?
https://doi.org/10.14746/pss.2023.24.8
PDF (Deutsch)
Ewa Szperlik
209–231
“Mr Hitler,” Greta Garbo and the Jew Hidden in the Grass. The Literary Representation of the Holocaust in Ruth Tannenbaum by Miljenko Jergović
https://doi.org/10.14746/pss.2023.24.9
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