Abstract
The literary work of A.G. Matoš is characterized by a strong interest in femininity and sexuality. The analyses of female’s figures and sexuality in the author’s oeuvre have strived to imbue these concepts with stable meaning. Our thesis is that sexuality and the rhetoric of femininity are generally unreadable and ambiguous, and that their direct, literal interpretations are based on their unconscious exclusion. The example of the short story Cvijet sa raskršća (Crossroads Flower) shows that the rhetoric of femininity works as a drive of the text and its reading, and that the interpretations, trying to calm the ambiguity of that concept, remain blind to the blindness of insight, for what the text sets as a necessary condition of its own reading and understanding.References
Coha S., 2012, Tko (ni)je „spoznal” (n)i „prepoznal” Kipa domovine? Od Štoosa preko Matoša prema Krleži, „Kaj – časopis za knijževnost, umjetnost, kulturu” br. 6, str. 25–52.
Derrida J., 1990, Istina u slikarstvu, prev. S. Ćuzlan, Sarajevo.
Derrida J., 1992, „That Dangerous Supplement...”, u: Acts of Literature. Jacques Derrida, ur. D. Attridge, New York–London, str. 76–109.
Felman S., 1982, Turning the Screw of Interpretation, u: Literature and Psychoanalysis. The Question of Reading. Otherwise, ur. S. Felman, Baltimore–London, str. 94–207.
Felman S., 2003, Writing and Madness, Palo Alto.
Frangeš I., 1986, Cvijet sa raskršća, u: idem, Nove stilističke studije, Zagreb, str. 189–206.
Freud S., 1957, Wild Psycho-analysis, u: idem, The Standard Edition of the Complete Psychological Works of Sigmund Freud, vol. 11, prev. J. Strachey, London, str. 219–230.
Lacan J., 1968, Discours de clôture des journées sur les psychoseschez l’enfant, http://aejcpp.free.fr/lacan/1967-10-22.htm, 16.02.2014.
de Man P., 1983, Blindess and Insight: Essays in the Rhetoric of Contemporary Criticism, Minneapolis.
de Man P., 1986, The resistance to Theory, Minneapolis.
Matoš A.G., 1952, Kritike A.G. Matoša, u: Hrvatska književna kritika IV, ur. M. Matković, Zagreb.
Matoš A.G., 1973, Sabrana djela, sv. 1, Iverje. Novo Iverje. Umorne Priče, ur. D. Tadijanović, Zagreb.
Matoš A.G., 1973, Sabrana djela, sv. 19, Pisma I, ur. D. Kapetanić, Zagreb.
Nancy J.-L., 2000, Euology for the Mêlée, u: eadem, Being Singular Plural, Stanford, str. 145–158.
Nancy J.-L., 2014, Muze, prev. V. Mikšić, Zagreb.
Oraić Tolić D., 2013, Čitanja Matoša, Zagreb.
Vuković T., 2006, Izabelin cvijet i Cvjetina peta. Sublimno i zazorno u Matoševim novelama Cvijet sa raskršća i Balkon, u: Znanstveno djelo prof. dr. sc. Milivoja Solara. Hrvatska književnost 20. stoljeća, različite ideje i funkcije književnosti, ur. B. Bošnjak, Zagreb, str. 167–174.
License
Authors
The authors of the articles accepted for publication in the journal Poznańskie Studia Slawistyczne are obliged to fill up the contract for providing the journal free licence (along with sub-licence CC) to works. The contract should be also signed by the authors and sent back to the editorial board of the journal.
Under the terms of the contract, the authors of the texts published in the journal “Poznańskie Studia Slawistyczne” provide the University of Adam Mickiewicz in Poznań with a non-exclusive free licence and allow the aforementioned institution to use the sub-licence Creative Commons Attribution-NoDerivatives 4.0 International (CC BY-ND 4.0).
The authors hold the copyright for their texts.
Users
The Internet users are eligible for using the works published in “Poznańskie Studia Slawistyczne” from 2015 under the following conditions:
- recognition of the authorship: the popularized work must contain information about the author, title, source (references to the original work, DOI) and licence.
- no derivative works may be created: the work must be preserved in its original form, the work’s translations or elaborations cannot be distributed without the author’s permission.
The copyright to the texts published before 2015 is reserved.
Other
The University of Adam Mickiewicz in Poznań holds the right for the entire journal (its segmentation, graphical form, title, cover design, logo, etc.).