No. 42 (2022)

Published 2022 September 30

Postać w operze

Wstęp

Alina Borkowska-Rychlewska, Katarzyna Lisiecka

7-11

https://doi.org/10.14746/pspsl.2022.42.1

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Postać w operze

Elżbieta Nowicka

15-32

In the Search of Character (in Nineteenth-century Theories of Opera and Artistic Prose)

https://doi.org/10.14746/pspsl.2022.42.2

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Katarzyna Lisiecka

33-56

In the Rococo Glow of a Journey to Kythira. The Dramaturgic Antecedents to the Formation of the Concept of a Character in eighteenth-century Opera Seria as in Alcina by Georg Friedrich Händel

https://doi.org/10.14746/pspsl.2022.42.3

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Hanna Kicińska

57-76

Voice as the Material of an Operatic Character. A Historical Overview of Vocal Typology of Voices

https://doi.org/10.14746/pspsl.2022.42.4

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Marta Karasińska

77-96

From a Character to a Voice. On the Increasingly Libretto-Like Character of Contemporary Drama

https://doi.org/10.14746/pspsl.2022.42.5

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Małgorzata Gamrat

97-119

Muhammad as the Central Character of the Imagined Opera in Balzac’s Short Story “Gambara”

https://doi.org/10.14746/pspsl.2022.42.6

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Iwona Puchalska

121-136

Theatre of Shadows: Stanisław Baliński’s Wieczór w Teatrze Wielkim

https://doi.org/10.14746/pspsl.2022.42.7

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Alina Borkowska-Rychlewska

137-155

The Borders of Irony – the Borders of Illusion. On the Character Ontology in Alexander Pushkin’s and Pyotr Tchaikovsky’s “Eugene Onegin”

https://doi.org/10.14746/pspsl.2022.42.8

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Magdalena Piotrowska

157-169

Narrator or… Oral Poet? Mickiewicz’s “Powrót taty” (“Father’s Return”) in a Musical Edition by Henryk Jarecki and Jan Gołębiowski

https://doi.org/10.14746/pspsl.2022.42.9

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Beata Kornatowska

171-184

“Do Not Believe Such a Ridiculous Tale.” On the Identity of Robert Walser’s and Heinz Holliger’s Snow White

https://doi.org/10.14746/pspsl.2022.42.10

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Ryszard Daniel Golianek

183-205

The Systematics of Operatic Ghosts

https://doi.org/10.14746/pspsl.2022.42.11

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Małgorzata Sokalska

207-228

Secondary Characters – on the Role of Servants in Opera

https://doi.org/10.14746/pspsl.2022.42.12

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Marcin Bogucki

229-248

The Character of a Celebrity in an Opera: a Promiscuous Duchess and a “Playboy” Playmate

https://doi.org/10.14746/pspsl.2022.42.13

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Piotr Maksymowicz

249-263

“Wy oświeceni, my dzicy ludzie jesteśmy, ale my więcej od was umiemy” (“You are Enlightened, we are Primitive, yet we Have More Skills”). The Characters in Wojciech Bogusławski’s Operas Facing Loss of Freedom

https://doi.org/10.14746/pspsl.2022.42.14

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Natalia Kaminiczna

265-293

Beyond the Voice. The Character of Fenella in the Light of 1831 Warsaw Stagings

https://doi.org/10.14746/pspsl.2022.42.15

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Małgorzata Woźniak

295-310

Character as a Vehicle of Adaptation: the Musical “Kapitan Żbik i żółty saturator”

https://doi.org/10.14746/pspsl.2022.42.16

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Readings

Piotr Michałowski

313-324

The history of 133 terms or rhizomes of etymology

https://doi.org/10.14746/pspsl.2022.42.17

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