Abstract
The article presents three strategies elaborated in the seventies of the last century by the postmodern prose, in order to tell us about the genocide. To name these strategies, the authoress makes use of the terms of blurring, patch, and “sous rapture”, which serve discussing Double or Nothing by Raymond Federman, W, or the Memory of the Childhood by Georges Perec, and Cigi de Montbazon by Anatol Ulman. The essential part in the discussion on the genocide is the reception of the above mentioned novels reconstructed among others on the base of works by Susan Rubin Suleiman along with her conception of the “1.5 generation”. The article also aims at a presentation of the interference between Cigi de Montbazon and European postmodernism exposed in Brian McHaleʼs idea of “worlds under erasure”. It is worth adding that the indicated presentation has not been yet considered.References
Birenbaum H., 2012, Nadzieja umiera ostatnia, Oświęcim.
Blanchot M., 1996, Wokół Kafki, przeł. K. Kocjan, Warszawa.
Cuber M., 2013, Metonimie Zagłady. O polskiej prozie lat 1987–2012, Katowice.
Federman R., 1983, Surfikcja – cztery propozycje w formie wstępu, w: Nowa proza amerykańska. Szkice krytyczne, wyb., oprac. i wstępem opatrzył Z. Lewicki, przeł. J. Anders, G. Cendrowska, A. Kołyszko et al., Warszawa.
Federman R., 1984, Głos w szafie, przeł. M. Wilczyński, „Literatura na Świecie” nr 9 (158), s. 194–214.
Federman R., 1989, The Voice in the Closet, Hamburg [b.n.s.].
Federman R., 2002, Uśmiechy na placu Waszyngtona. (Poniekąd romans), przeł. K. Walewski, Lublin.
Federman R., 2010, Podwójna wygrana jak nic. Prawdziwy fikcyjny dyskurs, przeł. J. Kutnik, Kraków.
Hutcheon H., 1991, A Poetics of Postmodernism: History, theory, fiction, London–New York.
Kłosiński K., 2000, Eros, dekonstrukcja, polityka, Katowice.
Kutnik J., 2010, Tłumacz po słowie, w: R. Federman, Podwójna wygrana jak nic. Prawdziwy fikcyjny dyskurs, Kraków.
Lacan J., 1977, Desire and the interpretation of desire in Hamlet, „Yale French Studies” nr 55–56, s. 11–52.
https://doi.org/10.2307/2930434
Lejeune P., 1991, La memoire et l’oblique: Georges Perec autobiographe, Paris.
McHale B., 2012, Powieść postmodernistyczna, przeł. M. Płaza, Kraków.
Michaels A., 1996, Fugitive Pieces, Toronto.
Perec G., 2014, W albo wspomnienie z dzieciństwa, przeł. W. Brzozowski, Kraków.
Sebald W.G., 2001, Austerlitz, London. Spivak G.C., 1997, Acknowledgments, w: J. Derrida, Of Grammatology, Baltimore.
Suleiman S.R., 2008, Crises of Memory and the Second World War, Cambridge–Massachusetts–London.
Suleiman S.R., 2011, When postmodern play meets survivor testimony, w: Federman’s Fictions. Innovation, Theory, and the Holocaust, red. J.R. Di Leo, New York.
Ulman A., 2001, Cigi de Montbazon, Koszalin.
Uniłowski K., 1998, Opowieść znaleziona na śmietniku (Cigi de Montbazon Anatola Ulmana), „Twórczość” nr 6, s. 50–58.
Uniłowski K., 2001, Wstęp, w: A. Ulman, Cigi de Montbazon, Koszalin.
Vice S., 2004, Children Writing the Holocaust, New York.
https://doi.org/10.1057/9780230505896
Ziomek J., 2000, Retoryka opisowa, Wrocław.
License
Authors
The authors of the articles accepted for publication in the journal Poznańskie Studia Slawistyczne are obliged to fill up the contract for providing the journal free licence (along with sub-licence CC) to works. The contract should be also signed by the authors and sent back to the editorial board of the journal.
Under the terms of the contract, the authors of the texts published in the journal “Poznańskie Studia Slawistyczne” provide the University of Adam Mickiewicz in Poznań with a non-exclusive free licence and allow the aforementioned institution to use the sub-licence Creative Commons Attribution-NoDerivatives 4.0 International (CC BY-ND 4.0).
The authors hold the copyright for their texts.
Users
The Internet users are eligible for using the works published in “Poznańskie Studia Slawistyczne” from 2015 under the following conditions:
- recognition of the authorship: the popularized work must contain information about the author, title, source (references to the original work, DOI) and licence.
- no derivative works may be created: the work must be preserved in its original form, the work’s translations or elaborations cannot be distributed without the author’s permission.
The copyright to the texts published before 2015 is reserved.
Other
The University of Adam Mickiewicz in Poznań holds the right for the entire journal (its segmentation, graphical form, title, cover design, logo, etc.).