No. 20 (29) (2019)

Published 2019 December 15

Res Facta Nova 20 (29) 2019 okładka

Articles

Teresa Malecka

7-16

Mieczysław Tomaszewski. A free, independent and committed musicologist

https://doi.org/10.14746/rfn.2019.20.1

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Marianne Nowak

17-28

Józef Patkowski at the Darmstadt International Summer Courses for New Music

https://doi.org/10.14746/rfn.2019.20.2

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Magdalena Nowicka-Ciecierska

29-40

In the critic’s ear. Paweł Szymański’s compositional idiom in the conception of Andrzej Chłopecki

https://doi.org/10.14746/rfn.2019.20.3

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Weronika Nowak

41-54

The sphere of sacrum in Luciano Berio’s Cronaca del Luogo

https://doi.org/10.14746/rfn.2019.20.4

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Justyna Rudnicka

55-68

Don Juan by Wolfgang Amadeus Mozart in the directorial interpretation of Lia Rotbaum – an attempt at reconstruction

https://doi.org/10.14746/rfn.2019.20.5

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Marcin Bogucki

69-84

Nymph, Arianna, Licori – the shaping of feminine identity in the works of Claudio Monteverdi

https://doi.org/10.14746/rfn.2019.20.6

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Translations

Wolfgang-Andreas Schultz; Marcin Trzęsiok

87-92

In banger Erwartung eines Paradigmenwechsels. Die Endzeit der Neuen Musik

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Review Articles

Marcin Trzęsiok

95-108

Argument over the musical legacy of the twentieth century

https://doi.org/10.14746/rfn.2019.20.7

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Ryszard Lubieniecki

109-126

Atlases of memory. Warburg and Early Music on the basis ofTime Regainedby Björn Schmelzer and Margarida Garcia

https://doi.org/10.14746/rfn.2019.20.8

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