No. 21 (30) (2020)

No. 21 (30) (2020)

Published 2021 October 26

Articles

Beata Bolesławska-Lewandowska
11-17
Zygmunt Mycielski and Michał Bristiger’s „Res Facta”: intereditorial dialogues and soliloquies
https://doi.org/10.14746/rfn.2020.21.1
PDF (Język Polski)
Barbara Mielcarek-Krzyżanowska
18-27
Drama pastorale by Juliusz Słowacki and its musical interpretation in "Fragmenty" by Zygmunt Mycielski
https://doi.org/10.14746/rfn.2020.21.2
PDF (Język Polski)
Kamila Staśko-Mazur
28-47
Władysław Szpilman’s mass songs in the context of the composer’s songwriting achievements
https://doi.org/10.14746/rfn.2020.21.3
PDF (Język Polski)
Sebastian Borchers
48-68
Polish Music Published by Moeck 1958 to 1967 – a (Failed?) Transfer from East to West
https://doi.org/10.14746/rfn.2020.21.4
PDF (Język Polski)
Monika Pasiecznik
69-77
New Music and pleasure in Neo Hülcker’s audiovisual ASMR series
https://doi.org/10.14746/rfn.2020.21.5
PDF (Język Polski)
Paulina Książek
78-90
In the shackles of myth – "Medeamaterial" of Heiner Müller, Pascal Dusapin and Sasha Waltz
https://doi.org/10.14746/rfn.2020.21.6
PDF (Język Polski)
Piotr Podlipniak
91-107
Naturalistic systematic musicology and Meyer’s views on emotions and meaning in music
https://doi.org/10.14746/rfn.2020.21.7
PDF (Język Polski)
Renata Skupin
108-117
Isotopies in the practice of analysing a musical composition, on the example of "Arabesque" by Zygmunt Krauze
https://doi.org/10.14746/rfn.2020.21.8
PDF (Język Polski)

Review Articles

Bogumiła Mika
121-132
Beethoven as a historical actor. Microhistorical perspective in musicology
https://doi.org/10.14746/rfn.2020.21.9
PDF (Język Polski)
Michał Bruliński
133-141
In the face of the social and cultural phenomenon of the "Chopin Games"
https://doi.org/10.14746/rfn.2020.21.10
PDF (Język Polski)
Szymon Atys
142-150
Crying in the desert. About Józef Patkowski in the context of biography "Ambassador of Music from Mars" by Agnieszka Pindera
https://doi.org/10.14746/rfn.2020.21.11
PDF (Język Polski)