No. 25 (34) (2024)
Res Facta Nova
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No. 25 (34) (2024)
Published 2025 July 2
Articles
Dušan Milenković
9-27
Global Music as an Open Concept — A Weitzian Approach to the Meanings of the “Music of the World”
https://doi.org/10.14746/rfn.2024.25.1
PDF
Jasna Jovićević
28-40
The Other Side of Jazz Canon – Narrative Without Women
https://doi.org/10.14746/rfn.2024.25.2
PDF
Miloš Jovanović
41-54
Orthodoxy Goes Pop: Rock Music and Cultural Hegemony in Serbia
https://doi.org/10.14746/rfn.2024.25.3
PDF
Zoran Dimić
55-63
Music, Leisure and Politics
https://doi.org/10.14746/rfn.2024.25.4
PDF
Karol Berger
64-97
Mahler and the Taking Back of the Ninth
https://doi.org/10.14746/rfn.2024.25.5
PDF (Język Polski)
Marcin Trzęsiok
98-107
The Tao of Webern (und Heidegger ist auch dabei)
https://doi.org/10.14746/rfn.2024.25.6
PDF (Język Polski)
Anna Wójcikowska
108-120
The Phenomenon of Open Performance
https://doi.org/10.14746/rfn.2024.25.7
PDF (Język Polski)
Iga Batog
121-134
Leave Wagner Alone. Dramaturgical Strategies in Simon Steen-Andersen’s The Loop of the Nibelung
https://doi.org/10.14746/rfn.2024.25.8
PDF (Język Polski)
Jakub Kopaniecki
135-148
Local Contexts of Global Songs. Towards an ‘Authenticity’ of Popular Music from an Urban Perspective
https://doi.org/10.14746/rfn.2024.25.9
PDF (Język Polski)
Translations
Dmitri Tymoczko; Ilona Iwańska (Translator)
151-179
Macroharmony and Centricity
https://doi.org/10.14746/rfn.2024.25.10
PDF dostępny na stronie https://www.resfactanova.pl/archiwum/34 (Język Polski)
Review Articles
Ilona Iwańska
183-194
“To Understand Tonality Anew”: around Dmitri Tymoczko’s Book A Geometry of Music. Harmony and Counterpoint in the Extended Common Practice
https://doi.org/10.14746/rfn.2024.25.11
PDF (Język Polski)
Vitor Guerreiro
195-206
On Metaphorical Exemplification in Music: A Reply to Sousa
https://doi.org/10.14746/rfn.2024.25.12
PDF
Tiago Sousa
207-215
The Poverty of Exemplification and the Richness of Musical Expressiveness – A Response to Guerreiro
https://doi.org/10.14746/rfn.2024.25.13
PDF
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