What is so (Un)Exceptional About Soviet Cinema? The Pragmatics of Soviet Film Exports to Germany and France in the 1920s
PDF (English)

Słowa kluczowe

film export
Soviet cinema
USSR
international cinema network
distribution

Jak cytować

Puchenkina, N. (2023). What is so (Un)Exceptional About Soviet Cinema? The Pragmatics of Soviet Film Exports to Germany and France in the 1920s. Images. The International Journal of European Film, Performing Arts and Audiovisual Communication, 32(41), 45–63. https://doi.org/10.14746/i.2022.41.03

Abstrakt

The article discusses Soviet the efforts to export its cinematic production to Germany and France during the 1920s. Aside from advertising the USSR’s achievements abroad, cinema export was an important contribution to early Soviet fund-raising strategies. By examining the opening of the Soviet film industry to international practices and contacts, this article seeks to challenge some assumptions of Soviet particularism in the field of its film export practices. The article begins by exploring the international roots of what was about to become the Soviet film industry and demonstrates how Soviet trade practitioners sought to benefit from them. Then, the article argues that despite several country-specific organisational and material constraints, Soviet strategies and methods of film export to Germany and France paralleled in many ways those of their Western counterparts.

https://doi.org/10.14746/i.2022.41.03
PDF (English)

Bibliografia

Agde G., Schwarz A. (eds.), Die rote Traumfabrik : Meschrabpom-Film und Prometheus (1921–1936), Berlin 2012

Belodubrovskaya M., Not According to Plan: Filmmaking under Stalin, Ithaca – London 2017 https://doi.org/10.7591/9781501713804 DOI: https://doi.org/10.7591/9781501713804

Belodubrovskaya M., Soviet Hollywood: The Culture Industry That Wasn’t, “Cinema Journal” Spring 2014, vol. 53, no. 3, https://doi.org/10.1353/cj.2014.0032 DOI: https://doi.org/10.1353/cj.2014.0032

Brasken K., The International Workers’ Relief, Communism, and Transnational Solidarity, New York 2015

Bulgakowa O. et al. (eds.), Die ungewöhnlichen Abenteuer des Dr. Mabuse im Lande der Bolschewiki: Das Buch zur Filmreihe ‘Moskau – Berlin’, Berlin 1995

David-Fox M., Multiple Modernities vs. Neo-Traditionalism: On Recent Debates in Russian and Soviet History, “Jahrbücher für Geschichte Osteuropas” 2006, no. 54(4), pp. 535–555

David-Fox M., Showcasing the Great Experiment: Cultural Diplomacy and Western Visitors to Soviet Russia; 1921–1941, Oxford 2012 https://doi.org/10.1093/acprof:oso/9780199794577.001.0001 DOI: https://doi.org/10.1093/acprof:oso/9780199794577.001.0001

Drubek N., Hidden Figures: Rewriting the History of Cinema in the Empire of All the Russias, “Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe” 2021, no. 13, DOI: 10.17892/app.2021.00013.284

Fayet J.-F., VOKS : le laboratoire helvétique. Histoire de la diplomatie culturelle soviétique durant l’entre-deux-guerres, Genève 2014

Hicks J., Lost in Translation? Early Soviet Sound Film Abroad, [in:] Russia and the other(s) on film. Screening Intercultural Dialog, ed. S. Hutchings, New York 2008 https://doi.org/10.1057/9780230582781_7 DOI: https://doi.org/10.1057/9780230582781_7

Iangirov R., Drugoe kino. Stat’i po istorii otechestvennogo kino pervoi treti veka, Moscow 2011

Iangirov R., The Lumier Brothers in Russia: 1896, The Year of Glory, [in:] L’aventure du Cinématographe: Actes du Congrès mondial Lumiere, Lyon 1999

Kepley Jr V., The origins of Soviet cinema: A study in industry development, “Quarterly Review of Film Studies” 1985, vol. 10, no. 1 https://doi.org/10.1080/10509208509361238 DOI: https://doi.org/10.1080/10509208509361238

Kepley Jr V., Kepley B., Foreign films on Soviet screens, 1922–1931, “Quarterly Review of Film Studies” 1979, vol. 4, no. 4 https://doi.org/10.1080/10509207909361015 DOI: https://doi.org/10.1080/10509207909361015

Korotkii V.M., Operatory i rezhissery russkogo igrovogo kino 1897–1921: bio l’mogra cheskii spravochnik, Moscow 2009

Kovalova A., World War I and pre-Revolutionary Russian cinema, “Studies in Russian and Soviet Cinema” 2017, vol. 11, no. 2, https://doi.org/10.1080/17503132.2017.1300425 DOI: https://doi.org/10.1080/17503132.2017.1300425

Listov V., Rossiia, Revoliutsiia, Kinematograf, Moscow 1995

Macheret A. (ed.), Sovetskie khudozhestvennye fil'my Annotirovannyi katalog. Tom 1. Nemye lʹmy (1918–1935), Moscow 1961

Maistat O., “V karmane vosh’ na arkane”: zadachi i etika sovetskogo kinoeksporta v veimarskoi respublike (1926–1932), [in:] Konstruituia “Sovetskoe”? Politicheskoe Soznanie, Povsednevnye Praktiki, Novye Identichnosti. Materialy Desiatoi Mezhdunarodnoi Konferentsii Studentov i Aspirantov 22–23 Aprelia 206 Goda, Saint-Petersbourg 2016

Maltby R., The Americanisation of the World, [in:] Hollywood abroad: audiences and cultural exchange, eds. R. Maltby, M. Stokes, London 2004

Mislavskii V., Eksportno-importnaia deiatelʹnostʹ VUFKU v 1920-e gody, “Traditsії ta novatsії u vishii arhіtekturno-hudoznnіiosvіtі” 2016, no. 1

Noussinova N., Kogda my v Rossiiu vernemsia: russkoe kinematogra cheskoe zarubezh’e, 1918–1939, Moscow 2003

Ol’hovoi B. (ed.), Puti kino. 1-oe Vsesoiuznoe partiinoe soveshchanie po kinematogra i po kinematogra i, Moscow 1929

Osokina E., Operation Duveen, [in:] Treasures into Tractors: The Selling of Russia’s Cultural Heritage, 1918–1938, eds. A. Odom, W.R. Salmond, Washington 2009

Pozner V., Drôle de guerre comment la rivalité entre Sovkino et Mezhrabpom conduisit à la faillite de Prometheus, [in:] Linkes Kino. Von Prometheus zu Hitler, ed. T. Tode, Vienna 2019, forthcoming

Pozner V., To Catch Up and Overtake Hollywood: Early Talking Pictures in the Soviet Union, [in:] Sound, Speech, Music in Soviet and Post-Soviet Cinema, eds. L. Kaganovsky, M. Salazkina, Bloomington 2014

Puchenkina N., Une leçon de cinéma ou une rencontre manquée ? L’exportation du cinema sovietique et sa reception en France dans l’entre-deux-guerres, PhD’s dissertation, University of Caen, 2021

Saunders T., The German-Russian Film (Mis)Alliance (DERUSSA): Commerce & Politics in German-Soviet Cinema Ties, “Film History” 1997, vol. 9, no. 2

Strauss A., Alternative endings in Russian and Danish silent film <http://www.academia.edu/2041911/Alternative_Endings_in_Danish_and_Russian_Si- lent_Film>, accessed:30.01.2022

Tsivian Y., Early cinema in Russia and its cultural reception, London 1994

Tsivian Y., Early Russian cinema: some observations, [in:] Inside the Film Factory: New Approaches to Russian and Soviet Cinema, eds. I. Christie, R. Taylor, London 1991

Tsivian Y., The Wise and Wicked Game: Re-Editing and Soviet Film Culture of the 1920s, “Film History” 1996, vol. 8, no. 3

Thompson K., Exporting entertainment: America in the world film market, 1907–34, London 1985

Thompson K., Government Policies and Practical Necessities in the Soviet Cinema of the 1920s, [in:] The Red Screen: Politics, Society, Art in Soviet Cinema, ed. A. Lawton, London 1992

Thompson K., The Rise and Fall of Film Europe, [in:] “Film Europe” and “Film America”, eds. A. Higson, R. Maltby, Exeter 1992, pp. 56–81

Vasey R., The world according to Hollywood, 1918–1939, Wisconsin 1997 Vishnevskii V., Khudozhestvennie lʹmy v dorevoliutsionnoi Rossii, Moscow 1945

Youngblood D., Movies for the Masses: Popular Cinema and Soviet Society in the 1920s, Cambridge 1992

Youngblood D., The Magic Mirror: moviemaking in Russia 1908–1918, Wisconsin 1999