Vol. 38 No. 47 (2025)

Published 2025 October 27

Faces of Visual History

EDITOR-IN-CHIEF:
prof. UAM dr hab. Andrzej Szpulak; Institute of Film, Media and Audiovisual Arts, Adam Mickiewicz University, Poznań

GUEST EDITORS:
Piotr Kurpiewski, PhD; Division of Film and Media, Institute of Culture Studies, University of Gdańsk
Marcin Pigulak, PhD; Institute of Film, Media and Audiovisual Arts, Adam Mickiewicz University, Poznań

Full Issue

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Journal cover Images. The International Journal of European Film, Performing Arts and Audiovisual Communication, volume 38, no. 47, year 2025, title Faces of Visual History

Faces of Visual History

Images Editorial Team

5-6

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Paweł Sołodki

9-24

Microhistories, Microshorts and Microdocumenatries: On the Complex Relationship Between History and Lapidary Forms in Audiovisual Digital Culture

https://doi.org/10.14746/i.2025.38.47.1

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Elżbieta Durys, Joanna Rydzewska

25-44

The Second World War in a Transnational Perspective: An Attempt to Broaden the Audience for Prestigious Television Series. The Case of World on Fire (BBC/PBS, 2019–2023)

https://doi.org/10.14746/i.2025.38.47.2

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Patrycja Wilczyńska, Iwona Leonowicz-Bukała

45-63

Political Contexts and Their Visualizations in the Animated Films of Communist Yugoslavia

https://doi.org/10.14746/i.2025.38.47.3

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Maciej Białous

65-78

Social Attitudes Towards Historical Films in Contemporary Poland

https://doi.org/10.14746/i.2025.38.47.4

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Andrzej Szpulak

79-96

Beyond the Anti-Stalinist Mystery: The Trouble with TVP’s Scena Faktu (2006–2010)

https://doi.org/10.14746/i.2025.38.47.5

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Piotr Kurpiewski

97-112

The Revered Witold Pilecki vis-à-vis the Insolent Tadeusz „Kos” Kosciuszko: Media Discussions on the Films Scarborn and Pilecki’s Report from the Perspectives of Political and Artistic Reception

https://doi.org/10.14746/i.2025.38.47.6

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Krzysztof Loska

113-127

Voices from the Past: Hou Hsiao-hsien’s Microhistorical Narratives

https://doi.org/10.14746/i.2025.38.47.7

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Marcin Pigulak

129-153

Narrativising the Past in a Digital Ego-documentary Based on the Example of the Autobiographical Game Cosmic Top Secret

https://doi.org/10.14746/i.2025.38.47.8

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Marta Maciejewska

155-169

‘In a Common Hell’: Transnationalism and a New Way of Presenting History in Czech Cinema – the Example of Václav Marhoul’s The Painted Bird].

https://doi.org/10.14746/i.2025.38.47.9

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Iwona Kolasińska-Pasterczyk

171-192

[The Medieval Universe of Fear as a Metaphor for Contemporaneity in a Parabolic Tale of Enslavement by the System (Stanislav Barabáš’s Darkness Covers the Earth, as Interpreted by Jerzy Andrzejewski, 1989)

https://doi.org/10.14746/i.2025.38.47.10

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Wojciech Sławnikowski

193-206

Mythical history: Time in Theo Angelopoulos’ The Travelling Players and Ulysses’ Gaze

https://doi.org/10.14746/i.2025.38.47.11

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Małgorzata Radkiewicz

207-219

“Statues Never Die”: The Cinematic Documentation of African Art as a Form of Decolonisation

https://doi.org/10.14746/i.2025.38.47.12

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Wojciech Sitek

221-237

A Simulation of the Capitalist World Economy: Europa Universalis IV

https://doi.org/10.14746/i.2025.38.47.13

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Aleksandra Julia Kaniuk, Kacper Kajetan Kidziak

239-256

Navigating the Currents of Yangtze River Crime: An Analysis of the Historical Chinese Detective Game Murders on the Yangtze River

https://doi.org/10.14746/i.2025.38.47.14

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Katarzyna Ewa Zielińska

257-275

Persuasion or Story? Historical Spots Bridging Film and Advertising

https://doi.org/10.14746/i.2025.38.47.15

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Author Gallery

Marcin Pigulak

278-292

Photo Mode as a Tool of Historical and Cultural Interpretation: A Cinephilic Perspective on Ghost of Tsushima Through the Lens of Kurosawa Mode

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Varia

Anna Śliwińska

295-301

Some Remarks on Film Realism and Its Social Dimension

https://doi.org/10.14746/i.2025.38.47.16

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Mateusz Drewniak

302-316

Polish Film Criticism of Documentary Cinema in Professional Journals: From the End of World War II to the Digital Turn. Research Reconnaissance

https://doi.org/10.14746/i.2025.38.47.17

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Notes about authors

Images Editorial Team

317-324

Notes about authors

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