Vol. 38 No. 47 (2025): Faces of Visual History
Faces of Visual History

EDITOR-IN-CHIEF:
prof. UAM dr hab. Andrzej Szpulak; Institute of Film, Media and Audiovisual Arts, Adam Mickiewicz University, Poznań

GUEST EDITORS:
Piotr Kurpiewski, PhD; Division of Film and Media, Institute of Culture Studies, University of Gdańsk
Marcin Pigulak, PhD; Institute of Film, Media and Audiovisual Arts, Adam Mickiewicz University, Poznań

Faces of Visual History

Images Editorial Team
5-6
Introduction
PDF (Język Polski)
Paweł Sołodki
9-24
Microhistories, Microshorts and Microdocumenatries: On the Complex Relationship Between History and Lapidary Forms in Audiovisual Digital Culture
https://doi.org/10.14746/i.2025.38.47.1
PDF (Język Polski)
Elżbieta Durys, Joanna Rydzewska
25-44
The Second World War in a Transnational Perspective: An Attempt to Broaden the Audience for Prestigious Television Series. The Case of World on Fire (BBC/PBS, 2019–2023)
https://doi.org/10.14746/i.2025.38.47.2
PDF (Język Polski)
Patrycja Wilczyńska, Iwona Leonowicz-Bukała
45-63
Political Contexts and Their Visualizations in the Animated Films of Communist Yugoslavia
https://doi.org/10.14746/i.2025.38.47.3
PDF
Maciej Białous
65-78
Social Attitudes Towards Historical Films in Contemporary Poland
https://doi.org/10.14746/i.2025.38.47.4
PDF
Andrzej Szpulak
79-96
Beyond the Anti-Stalinist Mystery: The Trouble with TVP’s Scena Faktu (2006–2010)
https://doi.org/10.14746/i.2025.38.47.5
PDF (Język Polski)
Piotr Kurpiewski
97-112
The Revered Witold Pilecki vis-à-vis the Insolent Tadeusz „Kos” Kosciuszko: Media Discussions on the Films Scarborn and Pilecki’s Report from the Perspectives of Political and Artistic Reception
https://doi.org/10.14746/i.2025.38.47.6
PDF (Język Polski)
Krzysztof Loska
113-127
Voices from the Past: Hou Hsiao-hsien’s Microhistorical Narratives
https://doi.org/10.14746/i.2025.38.47.7
PDF (Język Polski)
Marcin Pigulak
129-153
Narrativising the Past in a Digital Ego-documentary Based on the Example of the Autobiographical Game Cosmic Top Secret
https://doi.org/10.14746/i.2025.38.47.8
PDF (Język Polski)
Marta Maciejewska
155-169
‘In a Common Hell’: Transnationalism and a New Way of Presenting History in Czech Cinema – the Example of Václav Marhoul’s The Painted Bird].
https://doi.org/10.14746/i.2025.38.47.9
PDF (Język Polski)
Iwona Kolasińska-Pasterczyk
171-192
[The Medieval Universe of Fear as a Metaphor for Contemporaneity in a Parabolic Tale of Enslavement by the System (Stanislav Barabáš’s Darkness Covers the Earth, as Interpreted by Jerzy Andrzejewski, 1989)
https://doi.org/10.14746/i.2025.38.47.10
PDF (Język Polski)
Wojciech Sławnikowski
193-206
Mythical history: Time in Theo Angelopoulos’ The Travelling Players and Ulysses’ Gaze
https://doi.org/10.14746/i.2025.38.47.11
PDF (Język Polski)
Małgorzata Radkiewicz
207-219
“Statues Never Die”: The Cinematic Documentation of African Art as a Form of Decolonisation
https://doi.org/10.14746/i.2025.38.47.12
PDF (Język Polski)
Wojciech Sitek
221-237
A Simulation of the Capitalist World Economy: Europa Universalis IV
https://doi.org/10.14746/i.2025.38.47.13
PDF (Język Polski)
Aleksandra Julia Kaniuk, Kacper Kajetan Kidziak
239-256
Navigating the Currents of Yangtze River Crime: An Analysis of the Historical Chinese Detective Game Murders on the Yangtze River
https://doi.org/10.14746/i.2025.38.47.14
PDF (Język Polski)
Katarzyna Ewa Zielińska
257-275
Persuasion or Story? Historical Spots Bridging Film and Advertising
https://doi.org/10.14746/i.2025.38.47.15
PDF

Notes about authors

Images Editorial Team
317-324
Notes about authors
PDF (Język Polski) PDF