„Comics making as a form of prayer?”. Komiksowa materialność na przykładzie komiksu Deserto / Nuvem Francisco Sousy Lobo
PDF

Słowa kluczowe

materiality
Carthusians
translinearity
Francisco Sousa Lobo
Portuguese comic books

Jak cytować

Jankowski, J. (2023). „Comics making as a form of prayer?”. Komiksowa materialność na przykładzie komiksu Deserto / Nuvem Francisco Sousy Lobo. Images. The International Journal of European Film, Performing Arts and Audiovisual Communication, 35(44), 33–62. https://doi.org/10.14746/i.2023.35.44.3

Abstrakt

Francisco Sousa Lobo (Portugal) touches on religious themes in many of his comics. In real life, he has been both for and against Catholics, and now he prefers to watch the world from above, sitting on a high comic book wall. In the split-book Deserto/Nuvem, which I propose to analyse in this article, he decides to create a reportage about the Catholic Carthusian order from Évora: in Deserto he presents a record of a week spent among monks, and Nuvem consists of 20 letters written to a monk. I would like to look at these comics in response to the question with which Pedro Moura concluded the Deserto/Nuvem review – “Comic-making as a form of prayer?” and through the concepts of the materiality of the comic book (Aaron Kashtan Between Pen and Pixel. Comics, Materiality, and the Book of the Future) and the performativity of the act of experiencing the comic book (Ian Hague Comics and the Senses: A Multisensory Approach to Comics and Graphic Novels).

https://doi.org/10.14746/i.2023.35.44.3
PDF

Bibliografia

Batchelor D., Chromophobia, London 2000

Chmielewski D., Zapętlenie, Warszawa 2014

Drucker J., Graphesis. Visual Forms of Knowledge Production, Cambridge – London 2014

Figueiredo Costa S., [bez tytułu], [w:] F. Sousa Lobo, Pequenos problemas, Cascais 2018

Hague I., Comics and the Senses: A Multisensory Approach to Comics and Graphic Novels, London – New York 2014 DOI: https://doi.org/10.4324/9781315883052

Hatfield Ch., Alternative Comics: An Emerging Literature, Jackson 2005

Jankowski J., Diabeł tkwi w szczególe, rynnie czy między kadrami? Czyli o polskim przekładzie McClouda raz jeszcze, „Zeszyty Komiksowe” 2018, nr 25, s. 90–101

Jankowski J., Nic, nigdzie, o niczym, Poltergeist, 24.06.2013, https://polter.pl/komiks/Przygody-Nikogo-c25731 (dostęp: 8.02.2022)

Jankowski J., Rozumiejąc przekład – czy „Zrozumieć Komiks” Scotta McClouda i „Understanding Comics. The Invisible Art.” Scotta McClouda to ten sam komiks?, „Zeszyty Komiksowe” 2017, nr 23, s. 62–78

Kashtan A., Between Pen and Pixel. Comics, Materiality, and the Book of the Future, Columbus 2018 DOI: https://doi.org/10.2307/j.ctv1khdqnk

Liniers, Macanudazo, t. 1–10, Barcelona 2015

Moura P., Nuvem/Deserto. Francisco Sousa Lobo (Chili Com Carne), Yellow Fast Crumble, 31.10.2017, https://yellowfastcrumble.wordpress.com/2017/10/31/nuvemdeserto-francisco-sousa-lobo-chili-com-carne/ (dostęp: 8.02.2022) Sousa Lobo F., Construção, [w:] Pentangulo #3, Cascais 2019

Sousa Lobo F., Deserto / Nuvem, Cascais 2017

Sousa Lobo F., O andar de cima, Lizbona 2014

Sousa Lobo F., Obsceno, [w:] Pequenos problemas, Cascais 2018

Wójcik M., Żak R., Cisza, Warszawa 2017