Słowa kluczowe
Jewish Museum Berlin
Jewish studies
Berlin
architecture
Kabbalah
deconstruction
Tikkun Olam
Jak cytować
Abstrakt
In The Meaning of Asymmetry in Jewish Art, Avigdor Poseq notes a historical tendency in Jewish art to depict Temple-related ritual objects asymmetrically, symbolizing their dislocation after the Temple’s destruction and the continued wait for the Messiah. Symmetry represents divine order and perfection, while asymmetry implies disruption and impermanence. This idea underpins Daniel Libeskind’s design of the Jewish Museum in Berlin (2000), with its fractured, zigzag structure evoking an incomplete process and broken continuity. The building becomes a metaphor for messianic hope, covenant renewal, and tikkun olam – the restoration of the world – interpreted through the lens of the Jewish Kabbalah.
Bibliografia
Arnheim Rudolf, Art and Visual Perception: A Psychology of the Creative Eye, University of California Press, Berkeley and Los Angeles, and London 2004.
Arnheim Rudolf, Visual Thinking, University of California Press, Berkeley and Los Angeles, and London 1969.
Baigell Matthew, Jewish-American Artists and the Holocaust, Rutgers University Press. New Brunswick, New Jersey, and London 1997.
Baigell Matthew, Social Concern and ‘Tikkun Olam’ in Jewish American Art, “Ars Judaica. The Bar-Ilan Journal of Jewish Art” 2012, vol. 8, pp. 55–80.
Bal Mieke, Looking In: The Art of Viewing, preface by Norman Bryson, G+B Arts International, Amsterdam 2001.
Bal Mieke, On Meaning-Making: Essays in Semiotics, Polebridge Press, Sonomia 1994.
Bal Mieke, Bryson Norman, Semiotics and Art History, “The Art Bulletin” 1991, no. 73(2), pp. 174–208. DOI: https://doi.org/10.2307/3045790
Bar-Lew Jehiel, Pieśń Duszy: Wprowadzenie do żydowskiego mistycyzmu, trans. Joanna Białek, Sacha Pecaric, Stowarzyszenie Pardes, Kraków 2009.
Biale David, Gershom Scholem’s Ten Unhistorical Aphorisms on Kabbalah: Text and Commentary, “Modern Judaism – A Journal of Jewish Ideas and Experience” 1985, no. 5(1), pp. 67–94. DOI: https://doi.org/10.1093/mj/5.1.67
Bryson Norman, Art in Context, [in:] Studies in Historical Change, ed. Ralph Cohen, University Press of Virginia, Charlottesville 1992, pp. 18–42.
Bryson Norman, Semiology and Visual Interpretation, [in:] Visual Theory: Painting and Interpretation, eds. Norman Bryson, Michael A. Holly, Keith Moxey, Polity, Cambridge 1991, pp. 61–73.
Bryson Norman, Vision and Painting: The Logic of the Gaze, Yale University Press, New Haven and London 1983. DOI: https://doi.org/10.1007/978-1-349-06121-1
Cassirer Ernst, Philosophy of Symbolic Forms, Yale University Press, New Haven 1974.
Chagal to Kitaj: Jewish Experience in 20th Century Art, exhibition catalogue, text: Avram Kampf, Barbican Art Gallery, London 1990.
Chametzky Peter, Rebuilding the Nation: Norman Foster’s ‘Reichstag’ Renovation and Daniel Libeskind’s Jewish Museum Berlin, “Centropa. A Journal of Central European Architecture and Related Arts” 2001, no. 1(3), pp. 250–263.
Chavalier Jean, Gheerbrant Alain, Dictionnaire des symboles: Mythes, Rêves, Coutumes, Gestes, Formes, Figures, Couleurs, Nombres, Robert Laffont/Jupiter, Paris 1969.
Contessa Andreina, An Uncommon Representation of the Temple Implements in a Fifteenth-century Hebrew Sephardi Bible, “Ars Judaica. The Bar-Ilan Journal of Jewish Art” 2009, vol. 5, pp. 37–58.
Craven Jackie, The Jewish Museum in Berlin, Germany, http://architecture.about.com/od/greatbuildings/ig/Museum-Architecture/The-Jewish-Museum.htm (accessed: 10.07.2014).
Daniel Libeskind, Radix-Matrix: Architecture and Writings, eds. Daniel Libeskind, Andrea P.A., Belloli, Prestel, Munich and New York 1997.
Der Libeskind-Bau: Architektur erzählt deutsch-jüdische Geschichte, Jüdische Museum Berlin, n.d., http://www.jmberlin.de/main/EN/04-About-The-Museum/01-Architecture/01-libeskind-Building.php (accessed: 11.10.2011).
Derrida Jacques, Archi?Texture und Labirynth, [in:] „Das Abenteuer der Ideen”, Internationale Bauausstellung Berlin, Berlin 1984.
The Divine Image: Depicting God in Jewish and Israeli Art, Art exhibition catalogue: Ronit Sorek & Sharon Weiser-Ferguson, The Israel Museum, Jerusalem 2006.
Dorff Eliot N., The Way into Tikkun Olam, Jewish Lights Publishing, Woodstock 2005.
Dorner Elke, Libeskind Daniel, Jüdisches Museum, Mann (gebr.), Berlin 1999.
Elior Rachel, Mistyczne źródła chasydyzmu, trans. Maciej Tomal, Wydawnictwo Austeria, Kraków 2009.
Eylon Lili, Libeskind Zigzags in Berlin, “Architecture Week”, 7.11.2011, no. 74, http://www.architectureweek.com/2001/1107/ (accessed: 7.11.2011).
Goldman Bernard, The Sacred Portal: A Primary Symbol in Ancient Judaic Art, Wayne State University Press, Detroit 1966.
Gombrich Ernst H., Art and Illusion: A Study in the Psychology of Pictorial Representation, Phaidon Press, London 1968.
Gorlin Alexander, Kabbalah and Architecture, “Faith and Form. The Interfaith Journal on Religion, Art and Architecture” 2008, no. 41(2).
Gorlin Alexander, Kabbalah in Art and Architecture, Pointed Leaf Press, New York 2013.
Halevi Z’ev ben Shimon, Kabała:Tradycja wiedzy tajemnej, trans. Bohdan Kos, Artes, Ljubljana 1994.
Halivni David W., MekorotU’mesorot [Sources and Traditions: A Source Critical Commentary on the Talmud], Devir, Tel Aviv 1968 (Jerusalem 1975, 1982 [(Hebr.]).
Halivni David W., Revelation Restored: Divine Writ and the Critical Responses, Avalon Publishing, Boulder 1997.
Horkheimer Max, Adorno Theodor, Dialektyka oświecenia: Fragmenty filozoficzne, trans. Małgorzata Łukasiewicz, Wydawnictwo Instytutu Filozofii i Socjologii PAN, Warszawa 1994.
Idel Moshe Binah, The EighthSefirah: The Menorah in Kabbalah, [in:] In the Light of the Menorah. Story of a Symbol, ed. Yael Israeli, Jewish Publication Society, Jerusalem, 1999, pp. 143–146.
Idel Moshe, Hasidism: Between Ecstasy and Magic, State University of New York Press, New York 1995. DOI: https://doi.org/10.1353/book10754
Idel Moshe, Kabała: Nowe Perspektywy, trans. Mikołaj Krawczyk, Zakład Wydawniczy “Nomos”, Kraków 2006.
Jedlińska Eleonora, Sztuka po Holocauście, “Tygiel Kultury”, Łódź 2001.
The Jewish Museum Berlin Celebrates Its 10th Anniversary, Studio Libeskind, n.d., http://daniel-libeskind.com/news/jewish-museum-berlin-celebrates-its-10thanniversary (accessed: 11.10.2011).
Kamczycki Artur, Muzeum Libeskinda w Berlinie: Żydowski kontekst architektury, Wydawnictwo Naukowe UAM, Poznań 2015.
Kilcher Andreas, The Ten Sefirot (Die zehn Sefirot), “Journal of Jewish Museum Berlin (JMB)” 2011, no. 5, pp. 74–77.
Klein Ernest, A Comprehensive Etymological Dictionary of the Hebrew Language for Readers of English, Carta Jerusalem, University of Haifa, Jerusalem 1987.
Księga Jecirah: Klucz kabały, trans. Mariusz Prokopowicz, Pico, Warszawa 1994.
Libeskind Daniel, Between the Lines: Jewish Museum. Berlin. 1988–99, Munich, 1999.
Libeskind Daniel, Breacking Groung: An Immigrant’s Journey from Poland to Ground Zero, Riverhead Books, New York 2005.
Libeskind Daniel, Daniel Libeskind: The Space of Encounter, Preface: Jeffrey Kipnis, Afterword: Anthony Vidler, Thames and Hudson, London 2001.
Libeskind Daniel, Line of Fire, vol. 1 and 2, International Labour Organization and Electa Spa, Geneva and Milan 1988.
Libeskind Daniel, Trauma, [in:] Image and Remembrance: Representation and the Holocaust, eds. Shelley Horstein, Florence Jacobowitz, Indiana University Press, Bloomington and Indianapolis 2003, pp. 43–58.
On the Making of the Lost Biennale Machines of Daniel Libeskind, greg.org, n.d., http://greg.org/archive/2010/09/20/on_the_making_of_the_lost_biennale_machines_of_daniel_libeskind.html (accessed: 11.11.2011).
Ouaknin Marc-Alain, Tajemnice Kabały, trans. Krystyna Pruska, Krzysztof Pruski, Wydawnictwo Cyklady, Warszawa 2006.
Panofsky Erwin, Perspektywa jako “forma symboliczna”, trans. and ed. Grażyna Jurkowlaniec, Wydawnictwa Uniwersytetu Warszawskiego, Warszawa 2008.
Pawlikowska Michalina, Myśl Derridy a architektura postmodernistyczna (dekonstrukcja – poza konstrukcją i destrukcją), [in:] Czytanie Derridy, eds. Bartosz Małczyński, Rafał Włodarczyk, Chiazm, Wrocław 2005, pp. 35–40.
Peirce Charles S., Wybór pism semiotycznych, trans. Ryszard Mirek, Andrzej J. Nowak, selection of texts and ed. Hanna Buczyńska-Garewicz, Znak – Język – Rzeczywistość and Polskie Towarzystwo Semiotyczne, Warszawa 1997.
Peirce Charles S., Zaniedbany argument i inne pisma z lat 1907–1913, trans. Stanisław Wszołek, Wydawnictwo Naukowe Papieskiej Akademii Teologicznej, Kraków 2005.
Poseq Avigdor W.G., The Meaning of Asymmetry in Jewish Art, “Jewish Culture and History” 2006, no. 8(1), pp. 13–28. (accessed: 10.11.2011) DOI: https://doi.org/10.1080/1462169X.2006.10512040
Poseq Avigdor W.G., Toward a Semiotic Approach to Jewish Art, “Ars Judaica. The Bar-Ilan Journal of Jewish Art” 2005, vol. 1, pp. 27–50.
Read Herbert, Origins of Form in Art, Horizon Press, New York 1965.
Rodiek Thorsten, Daniel Libeskind – Museum ohne Ausgang: Das Felix-Nussbaum-Haus des Kulturgeschichtlichen Museums Osnabruck, Wasmuth, Tubingen and Berlin, 1998.
Rosenfeld Gavriel D., Building after Auschwitz: Jewish Architecture and the Memory of the Holocaust, Yale University Press, New Haven and London 2011.
Rosenfeld Gavriel D., Ground Zero as a Lab for New Art, “Forward”, 21.02.2003.
Schneider Bernard, Libeskind Daniel, Jewish Museum of Berlin: Between the Lines, Prestel, Munich 1999 (Jewish Museum Berlin, Munch 2005).
Scholem Gershom, Judaizm: Parę głównych pojęć, trans. Juliusz Zychowicz, preface by Michał Galas, Inter Esse, Kraków 1991.
Scholem Gershom, Kabała i jej symbolika, trans. Ryszard Wojnakowski, Znak, Kraków 1996.
Scholem Gershom, Major Trends in Jewish Mysticism, Schocken Books, New York 1995.
Scholem Gershom, Mistycyzm żydowski i jego główne kierunki, trans. Ireneusz Kania, preface by Michał Galas, Czytelnik, Warszawa 1997.
Scholem Gershom, On the Mystical Shape of the Godhead: Basic Concepts in the Kabbalah, Schocken Books, New York 1997.
Scholem Gershom, O mistycznej postaci bóstwa: Z badań nad podstawowymi pojęciami kabały, trans. Agnieszka K. Haas, Wydawnictwo Aletheia, Warszawa 2010.
Schwartz Mitchell, Toward a California Judaism, [in:] Daniel Libeskind and the Contemporary Jewish Museum: New Jewish Architecture from Berlin to San Francisco, ed. Connie Wolf, Contemporary Jewish Museum, Rizzoli and Skira, Italy, San Francisco, New York and Milan 2008.
Sefer Jecira, czyli Księga stworzenia, trans. Wojciech Brojer, Jan Doktór, Bohdan Kos, Tikkun, Warszawa 1995.
Semiotics and Significs: The Correspondence between Charles S. Peirce and Lady Victoria Welby, ed. Charles Hardwick, Indiana University Press, Bloomington 1977.
Szwarcman-Czarnota Bella, Znalazłam wczorajszy dzień: Moja osobista tradycja żydowska, Wydawnictwo Homini, Kraków 2009.
Taylor Mark C., Disfiguring: Art, Architecture, and Religion, University of Chicago Press, Chicago 1992.
Tikkun Olam: Social Responsibility in Jewish Thought and Law, eds. David Schatz, Chaim I. Waxman, Nathan J. Dramert, Bloomsbury Publishing, Northvale 1997.
Vidler Anthony, The Architectural Uncanny: Essays in the modern unhomely, MIT Press, Cambridge 1992.
Wagner Kirsten, Combinatory Machines: Reading Architecture, Remembering Architecture, Writing Architecture, [in:] The Hidden Trace. Jewish Path through Modernity, Art exhibition catalogue: Martin Roman Deppner, Felix-Nussbaum-Haus, Osnabrück, Osnabrück 2008, pp. 54–58.
Weiss Halivni David, Mekorot U’mesorot [Sources and Traditions: A Source Critical Commentary on the Talmud], Devir, Tel Aviv 1968 (Jerusalem 1975, 1982 [Hebr.]).
Weiss Halivni David, Revelation Restored: Divine Writ and the Critical Responses, Avalon Publishing, Boulder 1997.
Werblowsky R. Zwi, Joseph Karo: Lawyer and Mystic, Oxford University Press, London 1962.
Wistrich Robert S., Fateful Trap: The German-Jewish Symbiosis, “Tikkun” 1990, no. 5.2, pp. 34–38.
Yarden Leon, The Tree of Light: A Study of the Menorah; The Seven-Branched Lampstand, Cornell University Press, London 1971.
Young James E., At Memory’s Edge. After-Image of the Holocaust in Contemporary Art and Architecture, Yale University Press, New Haven and London 2000.
Young James E., Daniel Libeskind’s New Jewish Architecture, [in:] Daniel Libeskind and the Contemporary Jewish Museum: New Jewish Architecture from Berlin to San Francisco, ed. Connie Wolf, Contemporary Jewish Museum, Rizzoli and Skira, Italy, San Francisco, New York and Milan 2008, pp. 45–61.
Zevi Bruno, Ebraismo e Architettura, Editrice La Giuntina, Florence 1993.
Zig-zag, http://dictionary.reference.com/browse/zigzag (accessed: 10.07.2014).
Zig-zag, http://www.phrases.org.uk/meanings/zig-zag.html (accessed: 10.07.2014).
Zig-zag, http://www.etymonline.com/index.php?term=zig-zag (accessed: 10.07.2014).
Licencja
Prawa autorskie (c) 2025 Artur Kamczycki
Utwór dostępny jest na licencji Creative Commons Uznanie autorstwa 4.0 Międzynarodowe.