Abstract
Szpulak Andrzej, Podwójne spojrzenie na pewne zdarzenie z przeszłości. O Szpitalu w Cichiniczach Melchiora Wańkowicza i Wrotach Europy Jerzego Wójcika [Double gaze at an event from the past. About Melchior Wańkowicz’s Hospital in Cichinicze and Jerzy Wójcik’s The Gateway of Europe]. „Images” vol. XXVI, no 35. Poznań 2019. Adam Mickiewicz University Press. Pp. 117–127. ISSN 1731-450X. DOI 10.14746/i.2019.35.06.
This text confronts two images of a small episode from the First World War and the struggle of Poland to regain its independence. The literary image, Hospital in Cichinicze, is the story of Melchior Wańkowicz (1926), and the film picture is The Gateaway of Europe by Jerzy Wójcik (1999). The film work was an adaptation of literary material; however, the ways memory is created in the two cases are different. Wańkowicz created a somewhat reporter-like, realistic, non-stereotypical record of events, while Wójcik’s story was more universal and at the same time more rooted in national symbolism.
References
Kapuściński R., O Wańkowiczu, „Kultura” 1974, nr 38, s. 9
Konopka A., Szpital Polowy Polskiego Komitetu Pomocy Sanitarnej, „Studia Podlaskie” 1999, t. IX, s. 73–79
Romerowa Z., Pamiętnik Zofii Wańkowiczówny z polowego szpitala w Cichiniczach. Rok 1918, Montreal 2002
Rutkowski T.P., Wstęp, [w:] M. Wańkowicz, Strzępy epopei, Szpital w Cichiniczach, Wrzesień żagwiący, Po klęsce, Warszawa 2009
Stochel W., Melchior Wańkowicz a Białoruś, „Acta Polono-Ruthenica” 2002, t. 7, s. 65–70
Wańkowicz M., Szpital w Cichiniczach, [w:] M. Wańkowicz, Strzępy epopei, Szpital w Cichiniczach, Wrzesień żagwiący, Po klęsce, Warszawa 2009
Wolny K., Sztuka reportażu wojennego Melchiora Wańkowicza, Rzeszów 1991
Wójcik J., We wrotach życia, O filmie „Wrota Europy” z Jerzym Wójcikiem rozmawia Seweryn Kuśmierczyk, „Kwartalnik Filmowy” 2003, nr 43, s. 151–157
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