Abstract
In 1957, the famous young Polish poet and song lyrics writer Agnieszka Osiecka (1936-1998) began studying in the Film School in Łódź. She studied film directing in 1957-1961. After graduating in film arts, she decided not to pursue a professional career in cinema. This analytical essay charts the history of the Film School in Łódź in the 1950s, the student works of Osiecka, and the inspiring confluence of audiovisual culture and film. The essay also explores in detail a wide spectrum of Polish film art of that period, providing original interpretations of eight études made by the young and talented artist during her film directing studies in Łódź.
References
A. Osiecka, W Warszawie, w nocy... „Film” 1959, nr 41.
A. Osiecka, Rozmowy w tańcu, Warszawa 2008, cyt. s. 16–17.
S. Mrożek, Słoń, Kraków 1958, s. 181.
W. Maciąg, hasło Stanisław Dygat, w: Literatura polska. Przewodnik encyklopedyczny, t. 1, Warszawa 1986, s. 221.
A. Czechow, Dzieła w 11 tomach, wstęp i opracowanie N. Modzelewska, Warszawa 1957–1958.
Filmówka. Powieść o łódzkiej Szkole Filmowej, pod red. K. Krubskiego, M. Millera, Z. Turowskiej, Warszawa [b.d.w.], s. 26.
M. Hendrykowski, Etiudy filmowe Andrzeja Munka, „Images” vol. V, nr 9–10, 2007.
M. Hendrykowski, Przeciw schematom. O „Człowieku na torze” Andrzeja Munka, „Images” vol. V, nr 9–10, 2007.
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