Keywords
film camera
digital camera
actor
film stock
improvisation
How to Cite
Abstract
The main inspiration of my essay How the cinematographer can help the actor – an insider’s perspective on Joker is Lawrence Sher’s masterclass that took place on 1st December 2020 via Zoom. It was a masterclass for students of the Polish National Film School in Lodz and I had great honor to lead this workshop. In this article, I try to analyze how a cinematographer can help actor to make a great performance. My essay is a “case study” because I focus how cinematographic means create a story and serve the actor who likes to improvise.
References
Mutter Z., Fury in the Family, https://britishcinematographer.co.uk/patrick-capone-and-christopher-norr-succession/ (dostęp: 7.04.2023)
Nykvist S., Kult światła. O filmach i ludziach. Rozmowy z Bengtem Forslundem, przeł. J. Balbierz, Izabelin 2006
Taras K., Kuchnia filmowa: Aktorka vs. Kamera, „KINO” 2023, nr 3, s. 46–49
Taras K., Takie proste i takie piękne – rozmowa z Dickiem Popem, „FILMPRO” 2015, nr 1(21), s. 76–78
Taras K., Uważna kamera, „Kultura Współczesna” 2020, nr 3, s. 136–147
https://theasc.com/news/chapman-daviau-legacy-camerimage-2021 (dostęp: 20.12.2021)
https://theasc.com/videos/clubhouse-conversations-succession (dostęp: 7.04.2023)
License
Copyright (c) 2023 Katarzyna Taras
This work is licensed under a Creative Commons Attribution 4.0 International License.