Aktor jako cyfrowa marioneta, czyli Edward Gordon Craig w kinie przyszłości
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Słowa kluczowe

actor
character
acting
metamorphosis
virtual reality
digital phantom
the art of film

Jak cytować

Hendrykowski, M. (2018). Aktor jako cyfrowa marioneta, czyli Edward Gordon Craig w kinie przyszłości. Images. The International Journal of European Film, Performing Arts and Audiovisual Communication, 21(30), 292–301. https://doi.org/10.14746/i.2017.30.21.

Abstrakt

Screen actor as a digital puppet? From one point of view, that potentially becomes an interesting platform for modern way of spectacularity and for communications. From another, it’s something destructive and dangerous for the film art. Marek Hendrykowski’s essay analyzes possible consequences of new era of digital actorship in the shadow of its fundamental question and challenge: what happens with man in this form of moving pictures creation.

https://doi.org/10.14746/i.2017.30.21.
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Bibliografia

Craig E.G., Uwagi o teatrze, przeł. M. Skibniewska, wstęp i noty Z. Hübner, Warszawa 1985

„Images. The International Journal of European Film, Performing Arts and Audiovisual Communication” (special issue: „Actor, Acting”) Eds. J. Celeda, W. Otto, 2016, vol. XIX, no. 28

Pokromski W., Metamorfoza Mefista, rozm. M. Sendecka, „FilmPro” 2011, nr 4

Virilio P., The Vision Machine, trans. by J. Rose, Bloomington-London 1994

Virilio P., War and Cinema. The Logistics of Perception, trans. by P. Camiller, London-New York 1989

Ziomek J., Aktor w systemie znaków, „Dialog” 1967, nr 9