Krzysztof Kieślowski’s film props in the triptych “Three Colours”

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Wojciech Otto

Abstrakt

Krzysztof Kieślowski employed film properties in a creative way in his Three Colours (Trois couleurs, 1993–94) trilogy. They play various roles in Blue (Bleu, 1993), White (Blanc, 1993) and Red (Rogue, 1994): they make the presented world more probable, co-create images of heroes, build dramaturgy and convey symbolic content. Such a treatment of film props is shaped by the director’s film style and creates a specific cinematic atmosphere.

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Article Details

Jak cytować
Otto, W. (2019). Krzysztof Kieślowski’s film props in the triptych “Three Colours”. Images. The International Journal of European Film, Performing Arts and Audiovisual Communication, 24(33), 73-85. https://doi.org/10.14746/i.2018.33.07
Dział
Kieślowski Revisited (and Re-watched)
Biogram autora

Wojciech Otto, Institute of Film, Media and Audiovisual Arts Adam Mickiewicz University, Poznan

Professor at the Institute of Film, Media and Audiovisual Arts at Adam Mickiewicz University in Poznań. He is an expertin film, media and cultural studies. The author of books Literatura i film w kulturze polskiej dwudziestolecia międzywojennego (Literature and Film in Polish Culture of the Interwar Period), Zdzisław Maklakiewicz, Obrazy niepełnosprawności w polskim filmie (The Images of Disability in Polish Cinema).

Bibliografia

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