Opublikowane: 2019-03-25

Kieślowski Revisited (& Re-watched)

Mikołaj Jazdon, Piotr Pławuszewski

5-8

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Kieślowski, the mysteries of screens and God

Marek Lis

9-18

PDF (English)

Inflancka Travelogue: 10 Short Essays on “Decalogue”

Joseph G. Kickasola

19-38

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Krzysztof Kieślowski’s “Decalogue” as a Quality TV Series

Monika Talarczyk

38-46

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“The way up is the way down”: Curzio Malaparte’s “Il Cristo Proibito” and Krzysztof Kieślowski’s “Three Colours: Red”

Paul Coates

47-59

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Kieślowski Re-read: On Reality, Realism and Cinema

Francesca Parmeggiani

61-71

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Krzysztof Kieślowski’s film props in the triptych “Three Colours”

Wojciech Otto

73-85

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Krzysztof Kieślowski and Ingmar Bergman – once again about a certain artistic relationship

Radosław Dąbrowski

87-107

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Non-accidental presence. The reception of Krzysztof Kieślowski in Russia

Denis Viren

109-115

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Kieślowski in Spain: History, Reception and Inspiration

Joanna Bardzińska

117-127

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Krzysztof Kieślowski’s “Camera Buff”: a revised version of “First Love”

Tadeusz Lubelski

129-136

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The Party in Krzysztof Kieślowski’s Films

Piotr Zwierzchowski

137-153

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To film an inconceivable reality: the manifesto of the young Kieślowski

Mikołaj Jazdon

155-166

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“The Intensity of Looking” at Karabasz, 2018

Andrzej Sapija

166-178

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In the clutches of melancholy. Interpretive analysis of Gilles Renard’s student film “Late Afternoon”

Franciszek Drąg

179-184

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“Ledwosz, where is the key?”, or people and animals in Iwona Siekierzyńska’s short student film “Missy”

Krystian Przybylski

185-196

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Author Gallery

Photographs by Krzysztof Kieślowski

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197-217

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Noty o autorach

Notes about authors

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219-221

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