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Vol 24, No 33 (2018)

Kieślowski Revisited (and Re-watched)

Table of Contents

Kieślowski Revisited (and Re-watched)

Kieślowski Revisited (& Re-watched) PDF
Mikołaj Jazdon, Piotr Pławuszewski 5-8
Kieślowski, the mysteries of screens and God PDF
Marek Lis 9-18
Inflancka Travelogue: 10 Short Essays on “Decalogue” PDF
Joseph G. Kickasola 19-38
Krzysztof Kieślowski’s “Decalogue” as a Quality TV Series PDF
Monika Talarczyk 38-46
“The way up is the way down”: Curzio Malaparte’s “Il Cristo Proibito” and Krzysztof Kieślowski’s “Three Colours: Red” PDF
Paul Coates 47-59
Kieślowski Re-read: On Reality, Realism and Cinema PDF
Francesca Parmeggiani 61-71
Krzysztof Kieślowski’s film props in the triptych “Three Colours” PDF
Wojciech Otto 73-85
Krzysztof Kieślowski and Ingmar Bergman – once again about a certain artistic relationship PDF
Radosław Dąbrowski 87-107
Non-accidental presence. The reception of Krzysztof Kieślowski in Russia PDF
Denis Viren 109-115
Kieślowski in Spain: History, Reception and Inspiration PDF
Joanna Bardzińska 117-127
Krzysztof Kieślowski’s “Camera Buff”: a revised version of “First Love” PDF
Tadeusz Lubelski 129-136
The Party in Krzysztof Kieślowski’s Films PDF
Piotr Zwierzchowski 137-153
To film an inconceivable reality: the manifesto of the young Kieślowski PDF
Mikołaj Jazdon 155-166
“The Intensity of Looking” at Karabasz, 2018 PDF
Andrzej Sapija 166-178
In the clutches of melancholy. Interpretive analysis of Gilles Renard’s student film “Late Afternoon” PDF
Franciszek Drąg 179-184
“Ledwosz, where is the key?”, or people and animals in Iwona Siekierzyńska’s short student film “Missy” PDF
Krystian Przybylski 185-196

Author Gallery

Photographs by Krzysztof Kieślowski PDF
. . 197-217

Notes about authors

Notes about authors PDF
. . 219-221


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