Słowa kluczowe
Kazimierz Karabasz
André Bazin
documentary film
film and literature
non-fiction cinema classics
dramaturgy of reality
documentary film ethics
Polish cinema
film theory
Jak cytować
Abstrakt
In his master’s thesis, Documentary Film and Reality, Krzysztof Kieślowski dealt with a number of problems that turned out to play a vital role in his future film career, and its documentary period in particular. This range of topics includes the concept of ‘the dramaturgy of reality’, one of the methods for factual filmmaking he intended to put into practice, but also such ideas as the relation between film and literature, between documentary film and ethics, and the difference between reportage and documentary filmmaking. These concepts had an influence on his documentary filmmaking and
led him to develop other concepts and methods for documentary filmmaking. From the perspective of Kieślowski’s creative oeuvre, the thesis Documentary Film and Reality reads as a manifesto by the young filmmaker.
Bibliografia
Davies N., Heart of Europe. A Short History of Poland, Oxford 1986
“Film na Świecie” 1992, no. 3/4 (388/389)
Jazdon M., Dokumenty Kieślowskiego, Poznań 2002
Jazdon M., “Filmar la realidad inabarcable. El manifesto del joven Kieślowski”, [in:] La doble vida de Krzysztof Kieślowski, ed. J. Bardzińska, San Sebastian 2015
Kałużyński W., “Krzysztofa Kieślowskiego ‘opowiadanie rzeczywistością’”, [in:] Kino Krzysztofa Kieślowskiego, ed. T. Lubelski, Kraków 1997
Karabasz K., Bez fikcji – z notatek filmowego dokumentalisty, Warszawa 1985
Kieślowski K., “Czy mam prawo ryzykować?”, “Polska” 1976, no. 5
Kieślowski K., Film dokumentalny a rzeczywistość, a typescript in the collection of the Łódź Film School library, 1970
Kieślowski K., “Głos młodych. Nadzieje i możliwości”, “Studio” 1975, no. 2–3
Kieślowski on Kieślowski, ed. D. Stok, London 1993
Licencja
Utwór dostępny jest na licencji Creative Commons Uznanie autorstwa – Użycie niekomercyjne – Bez utworów zależnych 4.0 Międzynarodowe.