Abstrakt
Iwona Siekierzyńska school film Missy takes up the theme of a girl’s unfulfilled love for a priest. Her dog named Ledwosz not only accompanies her in the experience of encountering the man in cassock, while his anointing of a sick neighbor, but also triggers the situation that caused her infatuation. This brief and accidental contact with the priest turns out to be a breakthrough experience for the teenage girl looking for love and attention. It means her entering the adult world in which it is easy to miss a crucial moment, or hurt somebody’s feelings quite unconsciously. The young girl’s experience of the brief encounter will remain in her forever. The relation between the female character and her dog from the short film was the inspiration to consider the similarities between Missy and Three Colors: Red, by Krzysztof Kieślowski, who was the artistic supervisor of Siekierzyńska’s film. In both films it is a dog that initiates the process resulting in metaphysical experience for the main characters.
Bibliografia
Biblia Jerozolimska, Poznań 2006
Filmografia etiud studentów Łódzkiej Szkoły Filmowej 1948–1997. Tom II. 1987–1997, ed. J. Lemann, Łódź 1998
Kieślowski K., Autobiografia, ed. D. Stok, Kraków 2012
Nawrot R., Kłosiński A., “Dlaczego mój pies płacze”, “W drodze” 2017, no. 6, https://opoka.org.pl/biblioteka/I/IE/wdrodze201706_zwierzeta.html
“Nitka [rozmowa K. Bielas z I. Siekierzyńską]”, “Wysokie Obcasy” 2003, no. 27, http://www.wysokieobcasy.pl/wysokie-obcasy/1,96856,1550927.html
Siekierzyńska I., “Dziewczyna z psem”, “Magazyn Kulturalny »Tygodnika Powszechnego «” 1996, no. 8, http://www.tygodnik.com.pl/kontrapunkt/08/siekier.html
Wakar J., Gildia reżyserów polskich. Członkowie, http://polishdirectors.com/member_post/siekierzynska-iwona/
Zawiśliński Stanisław, Kieślowski. Życie po życiu. Pamięć, Warszawa 2007
Licencja

Utwór dostępny jest na licencji Creative Commons Uznanie autorstwa – Użycie niekomercyjne – Bez utworów zależnych 4.0 Międzynarodowe.