Krzysztof Kieślowski and Ingmar Bergman – once again about a certain artistic relationship

Main Article Content

Radosław Dąbrowski

Abstrakt

Krzysztof Kieślowski and Ingmar Bergman belonged to different generations of film authors, but there was a certain artistic kinship between them. They were both interested in issues related to human existence, but their films also seem similar in terms of their aesthetic dimensions, in particular, their cinematographic style. Both directors also created films deriving from their private experience, often creating characters on screen who seem to be in some respect their alter egos. This articles deals with various similarities between the cinema of Kieślowski and Bergman.

Downloads

Download data is not yet available.

Article Details

Jak cytować
Dąbrowski, R. (2019). Krzysztof Kieślowski and Ingmar Bergman – once again about a certain artistic relationship. Images. The International Journal of European Film, Performing Arts and Audiovisual Communication, 24(33), 87-107. https://doi.org/10.14746/i.2018.33.08
Dział
Kieślowski Revisited (and Re-watched)
Biogram autora

Radosław Dąbrowski, Adam Mickiewcz University, Poznań

a graduate of Slavonic studies (BA), film studies (MA) and theatre studies (MA) at Adam Mickiewicz University (AMU), Poznań, and a doctoral candidate at the Institute of Film, Media and Audiovisual Culture at AMU. His two master theses were devoted to the artistic output of two great Swedish artists, August Strindberg and Sven Nykvist.

Bibliografia

  1. Bergman I., Laterna magica, trans. Z. Łanowski, Warszawa 1991
  2. Bergman I., Obrazy, trans. T. Szczepański, Warszawa 1993
  3. Bergman I., Scenariusze, trans. A. Asłanowicz, et. al., Warszawa 1997
  4. Derrida J., Of Grammatology, trans. G. Chakravorty Spivak, Londyn 1998
  5. Descartes R., Namiętności duszy, trans. L. Chmaj, Warszawa 1958
  6. Haltof M., Kino polskie, trans. M. Przylipiak, Gdańsk 2004
  7. Helman A., et. al., Historia myśli filmowej: podręcznik, Gdańsk 2007
  8. Hendrykowski M., Historia filmowego Oscara, Warszawa 1988
  9. Historia polskiego filmu dokumentalnego (1945–2014), ed. M. Hendrykowska, Poznań 2015
  10. Jackiewicz A., Kino polskie, Warszawa 1983
  11. Jazdon M., Dokumenty Kieślowskiego, Poznań 2002
  12. Kickasola J.G., The Films of Krzysztof Kieslowski: The Liminal Image, New York 2006
  13. Kieślowski K., Autobiografia, ed. D. Stok, Kraków 2012
  14. Kino Krzysztofa Kieślowskiego, ed. T. Lubelski, Kraków 1997
  15. Lenczewski R., Okiem operatora, Łódź 2014
  16. Lubelski T., Historia kina polskiego. Twórcy, filmy, konteksty, Chorzów 2008
  17. Magia kina, ed. J. Wróblewski, Warszawa 1995
  18. Osęka A., Mitologie artysty, Warszawa 1970
  19. Płażewski J., Historia filmu, 1895–2005, Warszawa 2010
  20. Szczepański T., Zwierciadło Bergmana, Gdańsk 1999
  21. Ullmann L., Przemiany, trans. A. Kreczmar, Warszawa 1988
  22. Wróblewski J., Reżyserzy, Warszawa 2013
  23. Žižek S., Lacrimae rerum. Kieślowski, Hitchcock, Tarkowski, Lynch, trans. G. Jankowicz, et. al., Warszawa 2011.