Vol. 24 No. 33 (2018): Kieślowski Revisited (and Re-watched)

Vol. 24 No. 33 (2018)

Published 2019 March 25
Kieślowski Revisited (and Re-watched)

Kieślowski Revisited (and Re-watched)

Mikołaj Jazdon, Piotr Pławuszewski
5-8
Kieślowski Revisited (& Re-watched)
https://doi.org/10.14746/i.2018.33.01
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Marek Lis
9-18
Kieślowski, the mysteries of screens and God
https://doi.org/10.14746/i.2018.33.02
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Joseph G. Kickasola
19-38
Inflancka Travelogue: 10 Short Essays on “Decalogue”
https://doi.org/10.14746/i.2018.33.03
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Monika Talarczyk
38-46
Krzysztof Kieślowski’s “Decalogue” as a Quality TV Series
https://doi.org/10.14746/i.2018.33.04
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Paul Coates
47-59
“The way up is the way down”: Curzio Malaparte’s “Il Cristo Proibito” and Krzysztof Kieślowski’s “Three Colours: Red”
https://doi.org/10.14746/i.2018.33.05
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Francesca Parmeggiani
61-71
Kieślowski Re-read: On Reality, Realism and Cinema
https://doi.org/10.14746/i.2018.33.06
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Wojciech Otto
73-85
Krzysztof Kieślowski’s film props in the triptych “Three Colours”
https://doi.org/10.14746/i.2018.33.07
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Radosław Dąbrowski
87-107
Krzysztof Kieślowski and Ingmar Bergman – once again about a certain artistic relationship
https://doi.org/10.14746/i.2018.33.08
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Denis Viren
109-115
Non-accidental presence. The reception of Krzysztof Kieślowski in Russia
https://doi.org/10.14746/i.2018.33.09
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Joanna Bardzińska
117-127
Kieślowski in Spain: History, Reception and Inspiration
https://doi.org/10.14746/i.2018.33.10
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Tadeusz Lubelski
129-136
Krzysztof Kieślowski’s “Camera Buff”: a revised version of “First Love”
https://doi.org/10.14746/i.2018.33.11
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Piotr Zwierzchowski
137-153
The Party in Krzysztof Kieślowski’s Films
https://doi.org/10.14746/i.2018.33.12
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Mikołaj Jazdon
155-166
To film an inconceivable reality: the manifesto of the young Kieślowski
https://doi.org/10.14746/i.2018.33.13
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Andrzej Sapija
166-178
“The Intensity of Looking” at Karabasz, 2018
https://doi.org/10.14746/i.2018.33.14
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Franciszek Drąg
179-184
In the clutches of melancholy. Interpretive analysis of Gilles Renard’s student film “Late Afternoon”
https://doi.org/10.14746/i.2018.33.15
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Krystian Przybylski
185-196
“Ledwosz, where is the key?”, or people and animals in Iwona Siekierzyńska’s short student film “Missy”
https://doi.org/10.14746/i.2018.33.16
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Author Gallery

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197-217
Photographs by Krzysztof Kieślowski
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Notes about authors

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219-221
Notes about authors
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