Słowa kluczowe
cinema and design
cinema and architecture
world expo
Jak cytować
Abstrakt
Through the whole period of their design output, Ray and Charles Eames used film as a tool. First, they referred to film when they tried to prove their artistic activity, then for the purposes of advertisement and finally, they got to large, highly-circulated global multimedia projects. Behind them were state and corporate subjects. In all film activities, they reveal an innovative attitude which negotiated the current techniques of production. Each time, they were able to create new value. They revolutionized advertising and educational films. In every attempt at this genre, they did not give up the humanistic approach. They presented scientific knowledge, offered in the form of standard high entertainment.
Bibliografia
Altimus E.L., Out of many, one: Glimpses of the USA by Charles and Ray Eames, The Family of Man by Edward Steichen, and universal thought in cold war propaganda, 2012 <https://digitalcommons.lsu.edu/gradschool_theses/2892>, dostęp: 21.12.2019
An Eames anthology. Articles, film scripts, interviews, letters, notes, speeches by Charles and Ray Eames, red. D. Ostroff, New Haven, London 2015
Colomina B., Domesticity at War, Cambridge, Mass., London 2007
Harwood J., The Interface IBM and the Transformation of Corporate Design 1945–1976, Minneapolis, London 2011
Kirkham P., Charles and Ray Eames. Designers of the twentieth century, Cambridge, Mass., London 1998
Meet Me at the Fair. A World’s Fair Reader, red. L. Hollengreen, Pittsburgh 2014
Mrozek J., Geneza i rozwój subkultury hipisów w Stanach Zjednoczonych (wybrane konteksty), „Studia Edukacyjne” 2017, 45, s. 237–253
Nedelcu M., Expanded image spaces. From panoramic image to virtual reality, through cinema, “Close Up: Film and Media Studies” 2013, 1, s. 44–53
Neuhart M., Neuhart J., Eames R., Eames Design: The work of the office of Charles and Ray Eames. London 1989
Schrader P., Poetry of ideas. The films of Charles Eames, “Film Quarterly” 1970, 23, s. 2–14
Schuldenfrei E., The Films of Charles and Ray Eames: A universal sense of expectation, Routledge 2015
Sykta I., Ewolucja idei postępu i wizji miast przyszłości zapisana w krajobrazach, obiektach i pokazach wystaw światowych – od Brukseli 1958 do Osaki 1970, „Przestrzeń i Forma” 2014, 22, s. 103–122
The World of Charles and Ray Eames, red. C. Ince, L. Johnson, London 2018
Weems J., Vision at California scale, Charles and Ray Eames, systems thinking andthe diminishing status of the human body after World War II, [w:] V. Janssen, Where Minds and Matters Meet. Technology and California in the West, Berkeley, CA, 2012
Licencja
Prawa autorskie (c) 2020 Grażyna Świętochowska
Utwór dostępny jest na licencji Creative Commons Uznanie autorstwa – Użycie niekomercyjne – Bez utworów zależnych 4.0 Międzynarodowe.