"Czeski błąd" i polski "Kret". O różnych filmowych obliczach lustracji
Bez nazwy

Słowa kluczowe

modern history
The Mole
Kawasaki's Rose
Polish and Czech societies
Central European cinematographies
kino środkowoeuropejskie
historia najnowsza
Jan Hřebejk
Rafael Lewandowski
kino czeskie

Jak cytować

Pomostowski, P. (2012). "Czeski błąd" i polski "Kret". O różnych filmowych obliczach lustracji. Images. The International Journal of European Film, Performing Arts and Audiovisual Communication, 11(20), 83–92. https://doi.org/10.14746/i.2012.20.07


Kawasaki’s Rose and The Mole. Two Film Faces of Lustration

The issue of settling accounts with modern history is a topic often taken up in contemporary Polish cinematography. The delicate and intriguing problems of lustration, memory, guilt, and forgiveness are, however, not only a Polish concern. In 2009, Kawasaki’s Rose, directed by Jan Hřebejku, was presented during the Berlinale. Almost a year later, Rafael Lewandowski’s debut film The Mole was released in Polish cinemas. Both the Czech and the Polish productions constitute attempts at facing the embarrassing problem faced by Poles and Czechs in terms of the problems mentioned above. A closer look at the phenomenon, viewed from two different perspectives (Polish in The Mole and Czech in Kawasaki’s Rose), provides a particularly interesting angle for analyzing this subject. In the article, the works of Rafael Lewandowski and Jan Hřebejk are compared in an effort to answer the question of what image of society emerges from these films. How do different historical and cultural conditions influence the process of shaping people’s attitudes in the face of similar problems. The author performs a film study analysis on these works, based on interviews with their authors and important reviews of them. Literary works that are topically connected with them, including Revised Edition by Péter Esterházy and The Curtain by Milan Kundera, constitute an essential context. 

Bez nazwy


M. Kundera, Zasłona, przeł. M. Bieńczyk, Warszawa 2006, s. 83.

M. Kundera, Niewiedza, przeł. M. Bieńczyk, Warszawa 2003, s. 81.

R. Lewandowski, Za późno, by się przyznać, rozm. P. Śmiałowski, „Kino” 2011, nr 9, s. 32

Esterházy, Wydanie poprawione, przeł. T. Worowska, Warszawa 2008, s. 13.

A. Piotrowska, Krecia robota, „Tygodnik Powszechny” 2011, nr 32, s. 34.

T. Sobolewski, Polska tajemnica, „Gazeta Wyborocza” 2011, nr 180 (4.08), s.11.

J. Socha, Pamięć, czyli przeszkoda, „Film” 2010, nr 9, s. 72.

K. Zarębski, Kret, „Kino” 2011, nr 7/8, s. 81.